Tori Amos, an American singer-songwriter, pianist and composer

Tori Amos (born Myra Ellen Amos, August 22, 1963) is mezzo-soprano vocal range.
an American singer-songwriter, pianist and composer. She is a classically trained musician with a mezzo-soprano vocal range.

Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She was expelled at the age of eleven for what Rolling Stone described as "musical insubordination."^[11] Amos was the lead singer of the short-lived 1980s pop group Y Kant Tori Read before achieving her breakthrough as a solo artist in the early 1990s. Her songs focus on a broad range of topics, including sexuality, feminism, politics, and religion.^[12]
Her charting singles include "Crucify", "Silent All These Years", "God", "Cornflake Girl", "Caught a Lite Sneeze", "Professional Widow", "Spark", "1000 Oceans", "Flavor", and "A Sorta Fairytale", her most commercially successful single in the U.S. to date.^[13] Amos has received five MTV VMA nominations, eight Grammy nominations, and has won an Echo award for her classical work. She is listed on VH1's "100 Greatest Women of Rock and Roll" list. 

Early life and education

Amos is the third child of Mary Ellen (Copeland) and the Rev. Edison McKinley Amos.^[15] She was born at the Old Catawba Hospital in Newton, North Carolina during a trip from their Georgetown home in Washington, D.C. Amos has said that her maternal grandparents each had an Eastern Cherokee grandparent of their own; of particular importance to her as a child was her maternal grandfather, Calvin Clinton Copeland, who was a great source of inspiration and guidance, offering a more pantheistic spiritual alternative to her father and paternal grandmother's traditional Christianity.^[16]
When she was two years old, her family moved to Baltimore, Maryland, where her father had transplanted his Methodist ministry from its original base in Washington, D.C. Her older brother and sister took piano lessons, but Amos didn't need them. From the time she could reach the piano, she taught herself to play: when she was two, she could reproduce pieces of music she had only heard once,^[17] and, by the age of three, she was composing her own songs.

Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the

The song appears as light filament once I've cracked it. As long as I've been doing this, which is more than thirty-five years, I've never seen the same light creature in my life. Obviously similar chord progressions follow similar light patterns, but try to imagine the best kaleidoscope ever—after the initial excitement, you start to focus on each element's stunning original detail. For instance, the sound of the words with the sound of the chord progression combined with the rhythm manifests itself in a unique expression of the architecture of color-and-light. ... I started visiting this world when I was three, listening to a piece by Béla Bartók; I visited a configuration that day that wasn't on this earth. ... It was euphoric.^[18]