Marilyn Pauline "Kim" Novak (born February 13, 1933) is a retired American film and television actress.
She began her film career in 1954 after signing with Columbia Pictures. There she starred in a string of movies, among them the well received Picnic (1955). She later starred in such films as The Man with the Golden Arm (1955) and Pal Joey (1957). However, she is perhaps Alfred Hitchcock's thriller Vertigo (1958) with James Stewart. Novak enjoyed box-office success and starred opposite several prominent leading men of the era, including Fred MacMurray, William Holden, Frank Sinatra, Tyrone Power, Kirk Douglas, and Laurence Harvey.
Best known today for her performance as Madeline Elster/Judy Barton in
Although still only in her mid-30s, Novak withdrew from acting in 1966, and has only sporadically worked in films since. She appeared in The Mirror Crack'd (1980), and had a regular role on the primetime series Falcon Crest (1986–87).[2] After a disappointing experience during the filming of Liebestraum (1991), she permanently retired from acting, stating she had no desire to return.[3] Her contributions to world cinema have been honored with two Golden Globe Awards, an Honorary Golden Bear Award, and a star on the Hollywood Walk of Fame among others. She works as a visual artist.
Columbia intended for Novak to be their successor to Rita Hayworth, their biggest star of the 1940s, whose career had declined; also, the studio was hopeful that Novak would bring them the same box-office success Marilyn Monroe brought 20th Century-Fox. Novak's first role for the studio was in the film noir Pushover (1954), in which she received third billing below Fred MacMurray and Philip Carey. She then co-starred in the romantic comedy Phffft (1954) as Janis, a character who finds Robert Tracey (Jack Lemmon) "real cute". Both films were reasonably successful at the box office, and Novak received favorable reviews for her performances. In her third feature film, 5 Against the House (1955), a gritty crime drama, she received equal billing with Guy Madison. It was only a minor critical and box-office success.
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