Joan Anita Barbara Armatrading, MBE (born 9 December 1950) is a British singer, songwriter and guitarist. Armatrading is a three-time Grammy Award-nominee and has been nominated twice for BRIT Awards as Best Female Artist. She also received an Ivor Novello Award for Outstanding Contemporary Song Collection in 1996. In a recording career spanning almost 40 years she has released a total of 17 studio albums, as well as several live albums and compilations.
Joan Armatrading was born in Basseterre, on the Caribbean island of Saint Kitts, in 1950, as the third of six children. When she was three, her parents moved to Birmingham, England, where she joined them in 1958. Her father had played in a band in his youth, but he forbade his children from touching his guitar. She began writing lyrics and music at the age of 14 on a piano that her mother had bought. Shortly after that her mother bought her a £3 guitar from a pawn shop in exchange for two prams, and the younger Armatrading began teaching herself that instrument. As a teenager she began her career playing small sets of her own music at local clubs. She left school at the age of 15 to support her family, and her first job was at Rabone Chesterman, an engineering tool manufacturer in Hockley, Birmingham. She was released from this job because of her insistence on bringing her guitar to work and playing it during tea breaks.
In the early 1970s, Armatrading moved to London to perform in a repertory production of the stage musical Hair. There she met the lyricist Pam Nestor, and they worked together on Armatrading's debut album Whatever's for Us, released by Cube Records in 1972. Armatrading wrote the lyrics, performed all of the vocals, wrote all of the music and played an array of instruments on the album. Nestor was credited as co-lyricist, however Cube considered Armatrading to be the more likely star material. These events produced a tension which broke up the partnership. In 1973 Armatrading's first single "Lonely Lady", a song which had not been included on the album, was released by Cube on the Fly Label (catalogue: Bug 31). It was unsuccessful in the charts. A period of inactivity for Armatrading followed, while she extricated herself from her contract with Cube Records. The single was subsequently withdrawn by Cube and re-released as a promotional single in the US by Armatrading's new label A&M Records, the same year, as A&M1452.
In January 1974 she appeared on the BBC Radio 1 John Peel Show performing "Show Some Sort Of Love Song", "Lonely Lady" and "Freedom". Armatrading sang and played acoustic guitar and piano. Supporting musicians were Snowy White (guitar), Mike Tomich (bass) and Brian Glassock (drums).
In 1975, Armatrading was free to sign with A&M Records, and issued the album Back to the Night,[6] which was promoted on tour with a six-piece jazz-pop group called The Movies. Armatrading credited English singer Elkie Brooks on the sleeve notes as she had cooked for Armatrading and the band in the studio while they had been making the album, which was produced by Brooks' then-husband Pete Gage. A major publicity relaunch in 1976 and the involvement of producer Glyn Johns propelled her next album, Joan Armatrading, into the Top 20 and spawned the Top 10 hit single "Love and Affection". The album mixed acoustic work with jazz-influenced material, and this style was retained for the 1977 follow-up Show Some Emotion, also produced by Glyn Johns, as was 1978's To the Limit. These albums included songs which continue to be staples of Armatrading's live shows, including "Willow", "Down To Zero", "Tall in the Saddle", and "Kissin' and a Huggin". Also at this time, Armatrading wrote and performed "The Flight of the Wild Geese", which was used during the opening and end titles for the 1978 war film The Wild Geese. The song was included on the soundtrack album for the film, originally released by A&M Records, later released under licence as a Cinephile DVD. A live album entitled Steppin' Out was released in 1979.
In the 1970s Armatrading became the first Black British female singer/songwriter to enjoy international success.
In 1980, Armatrading radically revised her playing style and released Me Myself I, a harder pop-oriented album produced by Richard Gottehrer, who had previously produced albums for Blondie. The album became Armatrading's highest ever charting album both in the UK and the US, while the title track became her second UK Top 40 hit single. The same pop style, now coupled with synthesisers, was also evident on the 1981 album Walk Under Ladders and 1983's The Key. All three of these albums were Top 10 successes in the UK, with The Key also producing the hit single "Drop the Pilot", Armatrading's third UK Top 40 hit single. To capitalise on her success, A&M released the best of compilation album, Track Record in 1983.
Armatrading's next studio album was 1985's Secret Secrets. The album was a top 20 hit but failed to yield any hit singles, cementing Armatrading's status as an "album artist". Taking over production responsibilities herself, she continued to record the albums Sleight of Hand (1986), The Shouting Stage (1988) and Hearts and Flowers (1990) for A&M Records, which all made the UK Top 40 but failed to achieve the level of success of her earlier works despite successful national tours (a show from her 1988 "Shouting Stage" tour was also filmed for television).
In 1989 she was the guest of Sue Lawley on the BBC 4 radio programme Desert Island Discs where her favourite choice was Van Morrison's "Madame George". Armatrading’s full list included Ella Fitzgerald and Gustav Mahler. Her luxury item was a guitar, while her castaway's book was Why Didn't They Ask Evans? by Agatha Christie.
In 1991, A&M released the compilation The Very Best of Joan Armatrading which returned her to the Top 10. However, her following studio album for A&M, 1992's Square The Circle did not replicate this success and would be her final recording for the label. Following her departure from A&M, a label she had been with for almost 20 years, Armatrading signed with RCA for her 1995 album What's Inside. Despite various television appearances and a full tour (which included a string quartet in addition to her stage band), the album was not a commercial success, becoming her lowest charting studio album in 20 years.
In 2003, no longer attached to a major label, she released the album Lovers Speak. Though it was her first album in eight years, it met with little commercial success.
Armatrading's music is considered to be mostly pop with forays into rock, folk, jazz, blues, soul and even reggae.
Her 2007 album Into the Blues debuted at #1 on the US Billboard Blues Chart, making Armatrading the first UK female artist to earn that distinction. Into the Blues, which Armatrading calls "the CD I’ve been promising myself to write for a long time," was nominated for a Grammy Award, also making her the first female UK artist to be nominated in the Grammy Blues category.
Armatrading has been nominated twice for a Brit Award as best female vocalist and has received an Ivor Novello Award for Outstanding Contemporary Song Collection in 1996 and in 2006 received an honorary degree from Aston University, Birmingham. In 2008 she was part of Cyndi Lauper's True Colors Tour 2008.
In 2007 Armatrading appeared in Episode 3 of the second series of Live from Abbey Road performing "Tall In The Saddle" from her 1976 self-titled album, and "Woman In Love" from the album Into The Blues. She also appeared on Later... with Jools Holland where she performed "Love and Affection", as well as "Woman In Love" and "My Baby's Gone" both from her 2007 Into The Blues album.
On 29 March 2010, she released This Charming Life, widely viewed as a return to her guitar-based singer-songwriter pop-rock. The album debuted atop the Amazon.com mp3 download charts, and reached the top of the U.S. Blues chart.[citation needed] She embarked on an international tour to promote it; a concert from this tour in April 2010 at the Royal Albert Hall in London was released on the CD/DVD album Live at the Royal Albert Hall, along with two tracks from a concert in Denver, Colorado, U.S., in February 2011.
In addition to recording, Armatrading has toured extensively and appeared in high profile concerts such as "The Picnic at Blackbushe" in 1978 (alongside Bob Dylan and Eric Clapton) and The Prince’s Trust Rock Gala in 1983. She also appeared in the film The Secret Policeman’s Third Ball in 1987. Several films have also used classic Joan Armatrading songs on their soundtracks, and these include Whoopi Goldberg’s 1995 Boys on the Side (the song "Willow") and Goldberg’s 1995 Moonlight and Valentino (the song "The Weakness in Me"). She has also made many appearances on television, including The Old Grey Whistle Test in 1975, “Joan Armatrading: Rock Over Europe” in 1980, “Joan Armatrading in Concert” in 1982, “Late Night in Concert” in 1984 and “Joan Armatrading” in 1985.
On 30 November 2010, "This Charming Life" was played on the season finale of Sons of Anarchy, the hit television show on FX.
“The postman wants an autograph. The cab driver wants a picture. The waitress wants a handshake. Everyone wants a piece of you.” John Lennon
Thursday, August 11, 2011
Wednesday, August 10, 2011
Succes 2011: Carl Douglas, one-hit Wonder - "Kung Fu Fighting"
Carl Douglas (born 10 May 1942) is a former Jamaican-born, UK-based, singer, best known for his song "Kung Fu Fighting", which hit number one in both the UK Singles Chart and the U.S. Billboard Hot 100 in 1974. The R.I.A.A. awarded gold disc status on 27 November, and it won a Grammy Award for Best Selling Single in 1974. It eventually went on to sell eleven million records worldwide, making it one of the best-selling singles of all time.
This homage to martial arts films has overshadowed the rest of the singer's career, resulting in his appearance on cover versions of the song. Douglas did release two other singles ("Blue Eyed Soul" and "Dance The Kung Fu", which was sampled by DJ Premier in his 2007 remix of Nike's 25th Air Force One anniversary single "Classic (Better Than I've Ever Been)", featuring Kanye West, Nas, KRS-One and Rakim ) but he has gone down in recording history as an example of a one hit wonder.
He was at one time managed by Eric Woolfson, later the primary songwriter behind The Alan Parsons Project.
In 1998, a re-recording of "Kung Fu Fighting", billed as Bus Stop featuring Carl Douglas, reached number 8 in the UK Singles Chart.
He now resides in Hamburg, Germany where he runs SMV (Schacht Musik Verlage), a publishing company that coordinates films, documentaries, and advertisements.
Kung Fu Fighting
"Kung Fu Fighting" is a disco song written and performed by Carl Douglas, and composed and produced by Biddu. It was released as a single in 1974, at the cusp of a chopsocky film craze, and eventually rose to the top of the British and American charts, in addition to reaching number one on the Soul Singles chart. It received a Gold certification from the RIAA in 1974, won the 1974 Grammy Award for Best Selling Single,[5] and popularized disco music. It eventually went on to sell eleven million records worldwide, making it one of the best-selling singles of all time. The song uses the quintessential Oriental Riff, a short musical phrase that is used to signify Chinese culture.
Kung Fu Fighting was rated number 100 in VH1's 100 Greatest one-hit wonders, and number 1 in the UK Channel 4's Top 10 One Hit Wonders list in 2000, the same channel's 50 Greatest One Hit Wonders poll in 2006 and Bring Back ... the one-hit Wonders, for which Carl Douglas performed the song in a live concert.
Labels:
"Kung Fu Fighting",
Carl Douglas,
one-hit Wonder
Monday, August 8, 2011
Success 2011: Gerd Müller, one of the most prolific goalscorers of all time. "Kleines dickes Müller, Bomber der Nation”
Gerhard "Gerd" Müller (born 3 November 1945 in Nördlingen) is a former German football player and one of the most prolific goalscorers of all time.
With national records of 68 goals in 62 international appearances, 365 goals in 427 Bundesliga games and the international record of 66 goals in 74 European Club games, he was one of the most successful goalscorers of his era. Müller is now 8th on the list of all time international goalscorers despite playing fewer matches than every player in the top 15. His nicknames are “Bomber der Nation” (the nation's Bomber) and “kleines dickes Müller” (short fat Müller; this name was given to him by Čik Čajkovski, his first coach at Bayern Munich. Čajkovski was Yugoslavian and got the German declension wrong.).
In 1970 Müller was elected European Footballer of the Year after a successful season at Bayern Munich and scoring 10 goals at the 1970 World Cup. Müller held the all-time goal-scoring record in the tournament with a 14-goal total, a record that stood for 32 years until it was broken by Brazil's Ronaldo against Ghana in the Round of 16 of the 2006 World Cup.
Bayern Munich
Born in Nördlingen, Germany, Müller began his football career at the TSV 1861 Nördlingen. Müller joined FC Bayern Munich in 1964 where he teamed up with future stars Franz Beckenbauer and Sepp Maier. The club, which would go on to become the most successful German club in history was then still in the Regionalliga Süd (Regional League South), which was one level below the Bundesliga at the time. After one season, Bayern Munich advanced to the Bundesliga and started a long string of successes. With his club, Müller amassed titles during the 60s and 70s: He won the German Championship four times, the German Cup four times, the European Champions' Cup three times, the Intercontinental Cup once, and the European Cup Winners’ Cup once. A supremely opportunistic goal-scorer, he also became German top scorer seven times and European top scorer twice. Müller scored 365 goals in 427 Bundesliga matches for Bayern Munich, almost 100 goals more than the second most successful Bundesliga scorer, Klaus Fischer. He holds the single-season Bundesliga record with 40 goals in season 1971–72. He scored 68 goals in 62 German Cup games. His record of 66 goals in 74 appearances at European Cups was just recently surpassed by Raúl González of Schalke 04.
National team
Müller scored 68 goals in 62 games for West Germany. His international career started in 1966 and ended on 7 July 1974 with the win of the World Cup at his home stadium in Munich. He scored the winning goal for the 2–1 victory over the Netherlands in the final. His four goals in that tournament and his ten goals at the 1970 World Cup combined made him the all-time highest World Cup goalscorer overall at the time with 14 goals; his record stood until the 2006 tournament, coincidentally held in Germany, when it was broken by Brazilian forward Ronaldo on 27 June 2006 playing against Ghana and was equalled by his countryman Miroslav Klose in 2010. As of the end of the 2006 tournament, Ronaldo has scored 15 goals in four World Cups. Müller also participated in the 1972 European Championship, becoming top scorer with four goals (including two in the final) and winning the Championship with the German team.
Life after football
After Müller ended his career in 1982, he fell into a slump and suffered from alcoholism. However, his former companions at Bayern Munich convinced him to go through alcohol rehabilitation. When he emerged, they gave him a job as a coach at Bayern Munich II, where he still works to this day. There is also a collection of apparel released by sporting giants Adidas under the Gerd Müller name. It is part of the adidas originals series. In July 2008, the Rieser Sportpark, in Nördlingen, where Müller had begun his career, was renamed the Gerd-Müller-Stadion in his honour.
In his book "Brilliant Orange: The Neurotic Genius of Dutch Football", David Winner writes, "Müller was short, squat, awkward-looking and not notably fast; he never fit the conventional idea of a great footballer, but he had lethal acceleration over short distances, a remarkable aerial game, and uncanny goalscoring instincts. His short legs gave him a strangely low center of gravity, so he could turn quickly and with perfect balance in spaces and at speeds that would cause other players to fall over. He also had a knack of scoring in unlikely situations."
With national records of 68 goals in 62 international appearances, 365 goals in 427 Bundesliga games and the international record of 66 goals in 74 European Club games, he was one of the most successful goalscorers of his era. Müller is now 8th on the list of all time international goalscorers despite playing fewer matches than every player in the top 15. His nicknames are “Bomber der Nation” (the nation's Bomber) and “kleines dickes Müller” (short fat Müller; this name was given to him by Čik Čajkovski, his first coach at Bayern Munich. Čajkovski was Yugoslavian and got the German declension wrong.).
In 1970 Müller was elected European Footballer of the Year after a successful season at Bayern Munich and scoring 10 goals at the 1970 World Cup. Müller held the all-time goal-scoring record in the tournament with a 14-goal total, a record that stood for 32 years until it was broken by Brazil's Ronaldo against Ghana in the Round of 16 of the 2006 World Cup.
Bayern Munich
Born in Nördlingen, Germany, Müller began his football career at the TSV 1861 Nördlingen. Müller joined FC Bayern Munich in 1964 where he teamed up with future stars Franz Beckenbauer and Sepp Maier. The club, which would go on to become the most successful German club in history was then still in the Regionalliga Süd (Regional League South), which was one level below the Bundesliga at the time. After one season, Bayern Munich advanced to the Bundesliga and started a long string of successes. With his club, Müller amassed titles during the 60s and 70s: He won the German Championship four times, the German Cup four times, the European Champions' Cup three times, the Intercontinental Cup once, and the European Cup Winners’ Cup once. A supremely opportunistic goal-scorer, he also became German top scorer seven times and European top scorer twice. Müller scored 365 goals in 427 Bundesliga matches for Bayern Munich, almost 100 goals more than the second most successful Bundesliga scorer, Klaus Fischer. He holds the single-season Bundesliga record with 40 goals in season 1971–72. He scored 68 goals in 62 German Cup games. His record of 66 goals in 74 appearances at European Cups was just recently surpassed by Raúl González of Schalke 04.
National team
Müller scored 68 goals in 62 games for West Germany. His international career started in 1966 and ended on 7 July 1974 with the win of the World Cup at his home stadium in Munich. He scored the winning goal for the 2–1 victory over the Netherlands in the final. His four goals in that tournament and his ten goals at the 1970 World Cup combined made him the all-time highest World Cup goalscorer overall at the time with 14 goals; his record stood until the 2006 tournament, coincidentally held in Germany, when it was broken by Brazilian forward Ronaldo on 27 June 2006 playing against Ghana and was equalled by his countryman Miroslav Klose in 2010. As of the end of the 2006 tournament, Ronaldo has scored 15 goals in four World Cups. Müller also participated in the 1972 European Championship, becoming top scorer with four goals (including two in the final) and winning the Championship with the German team.
Life after football
After Müller ended his career in 1982, he fell into a slump and suffered from alcoholism. However, his former companions at Bayern Munich convinced him to go through alcohol rehabilitation. When he emerged, they gave him a job as a coach at Bayern Munich II, where he still works to this day. There is also a collection of apparel released by sporting giants Adidas under the Gerd Müller name. It is part of the adidas originals series. In July 2008, the Rieser Sportpark, in Nördlingen, where Müller had begun his career, was renamed the Gerd-Müller-Stadion in his honour.
In his book "Brilliant Orange: The Neurotic Genius of Dutch Football", David Winner writes, "Müller was short, squat, awkward-looking and not notably fast; he never fit the conventional idea of a great footballer, but he had lethal acceleration over short distances, a remarkable aerial game, and uncanny goalscoring instincts. His short legs gave him a strangely low center of gravity, so he could turn quickly and with perfect balance in spaces and at speeds that would cause other players to fall over. He also had a knack of scoring in unlikely situations."
Thursday, August 4, 2011
The Birds (1963) : Tippi Hedren
Nathalie Kay "Tippi" Hedren (born January 19, 1930) is an American actress and former fashion model with a career spanning six decades. She is primarily known for her roles in two Alfred Hitchcock films, The Birds and Marnie, and her extensive efforts in animal rescue at Shambala Preserve, an 80-acre (320,000 m2) wildlife habitat which she founded in 1983.
Hedren is the mother of Academy Award nominee Melanie Griffith, and they share credits on several productions, notably Pacific Heights (1990).
Hedren was born in New Ulm, Minnesota in 1930 to Dorothea Henrietta (née Eckhardt) and Bernard Carl Hedren. Her paternal grandparents were immigrants from Sweden, and her maternal ancestry was German and Norwegian. Her father ran a small general store in the small town of Lafayette, Minnesota and gave her the nickname "Tippi." "My father thought Nathalie was a little bit much for a brand new baby," Hedren explained at a 2004 screening of The Birds.
As a teenager, Hedren took part in department store fashion shows. Her parents relocated to California while she was still a high school student. When she reached her 18th birthday, she bought a ticket to New York and began a professional modeling career. Within a year she made her film debut (minus dialogue) as a Petty Girl model in The Petty Girl (1950) musical comedy, although in interviews she refers to The Birds (1963) as her first film.
Hedren had a successful modeling career in the 1950s and 1960s, appearing on covers of national magazines, such as Life magazine.[6] She was discovered by Hitchcock, who was watching The Today Show when he saw Hedren in a commercial for Sego, a diet drink. Hitchcock was looking for an actress who possessed something of the sophistication, self-assurance and cool-blonde sex appeal of Grace Kelly, with whom he had made three films. Hedren, expensively groomed and mentored by Hitchcock, appeared in his films The Birds and Marnie. At the time of the films' releases, she was criticized for being too passive in The Birds and too expressive in Marnie. It took years before she received respect for her work in both films from American film critics.
At a packed house in Lancaster, California's Antelope Valley Independent Film Festival Cinema Series screening of The Birds on September 28, 2004, Hedren recalled how she was mysteriously selected for a lead role: "I said, 'Well, who is this person? Who is interested?'... Nobody would tell me who it was." (It was Alfred Hitchcock, who soon announced his choice of Hedren.)
Hitchcock put Hedren through a then-costly $25,000 screen test, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. He signed her to a multi-year exclusive personal contract, something he had done in the 1950s with Vera Miles. Hitchcock's plan to mold Hedren's public image went so far as to carefully control her style of dressing and grooming.[citation needed] Hitchcock insisted for publicity purposes that her name should be printed only in single quotes, "Tippi". The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to Hedren's name. In interviews, Hitchcock compared his newcomer not only to her predecessor Grace Kelly but also to what he referred to as such "ladylike", intelligent, and stylish stars of more glamorous eras as Irene Dunne and Jean Arthur. Later, Hedren indicated that she didn't want to be known as the next Grace Kelly but rather as the first Tippi Hedren.
Her appearance in The Birds brought a wealth of publicity. In a December 1962 Look magazine cover story "Hitchcock's New Grace Kelly", Alfred Hitchcock compared her to his star of To Catch a Thief and Rear Window, saying, "'Tippi' has a faster tempo, city glibness, more humor. She displayed jaunty assuredness, pertness, an attractive throw of the head. And she memorized and read lines extraordinarily well and is sharper in expression."
Hedren said of Hitchcock, "He is subtle as a psychiatrist and never gives displaced encouragement." With the release of the film, she got a very tepid reception, the only exceptions being critic Bob Thomas ("Miss Hedren makes an impressive debut") and Time ("pleasant and ladylike, as Grace Kelly was.") Years after the film's release, she remembered the location work at Bodega Bay as dangerous and taxing, commenting, "For a first film, it was a lot of work."
For the final attack scene in a second-floor bedroom, filmed on a closed set at Universal-International Studios, Hedren had been assured by Hitchcock that mechanical birds would be used. Instead, Hedren endured five solid days of prop men, protected by thick leather gloves, flinging dozens of live gulls, ravens and crows at her (their beaks clamped shut with elastic bands). Cary Grant visited the set and told Hedren, "I think you're the bravest lady I've ever met." In a state of exhaustion, when one of the birds gouged her cheek and narrowly missed her eye, Hedren sat down on the set and began crying. A physician ordered a week's rest, which Hedren said at the time was riddled with "nightmares filled with flapping wings". The Birds brought her a Golden Globe as Most Promising Newcomer.
Premiere magazine chose Hedren's character, Melanie Daniels in The Birds as one of "The 100 Greatest Characters of All Time". Marnie (1964), a psychological thriller from the novel by Winston Graham, was Hedren's second Hitchcock assignment, co-starring with Sean Connery. She recalls Marnie as the favorite of her two films for Hitchcock because of the central character, an emotionally battered young woman who travels from city to city assuming various guises in order to rob her employers. On release, the film was greeted by mixed reviews and indifferent box-office returns. Although Hitchcock continued to have Hedren in mind for several other films after Marnie, the actress declined any further work with him. Other directors who wanted to hire her had to go through Hitchcock, who would inform them she was unavailable. "It grew to be impossible. He was a very controlling type of person, and I guess I'm not about to be controlled", said Hedren. When Hedren tried to get out of her contract, she recalls Hitchcock telling her he'd ruin her career. "And he did: kept me under contract, kept paying me every week for almost two years to do nothing."
By the time Hitchcock sold her contract to Universal and she was fired for refusing work on one of its television shows, Hedren's career had stalled.
On April 13, 2011, at the Cinema Arts Centre in Huntington, NY, Hedren stated in an interview with Turner Classic Movies' Ben Mankiewicz, prior to a screening of The Birds, that because she refused Hitchcock’s sexual advances, Hitchcock effectively stunted her career.
Charles Chaplin cast her as the sophisticated, brittle, cheated-upon wife of Marlon Brando in his shipboard comedy A Countess from Hong Kong (1967). She made more than 40 films between 1967 and 2006, including Pacific Heights, Citizen Ruth and I Heart Huckabees.[citation needed] More recently, she has appeared in episodes of The 4400 in 2006 and CSI: Crime Scene Investigation in 2006. She was a cast member of the night-time soap opera Fashion House in 2006. Hedren has also appeared in many independent films. In 2009, she co-starred with actress Brittany Murphy in the made-for-television movie Tribute.
A Louis Vuitton ad campaign in 2006 paid tribute to Hedren and Hitchcock with a modern-day interpretation of the deserted railway station opening sequence of Marnie. Her 1963 publicity picture from The Birds was the cover for Jean-Pierre Dufreigne's book Hitchcock Style (2004). In interviews, Naomi Watts has stated that her character interpretation in Mulholland Drive (2001) was influenced by the look and performances of Hedren and Kim Novak in Hitchcock films. Watts and Hedren later acted in I Heart Huckabees (2004) but didn't share any scenes together onscreen. Off-screen, the film's director David O. Russell introduced them both, and Watts has said about Hedren, "I was pretty fascinated by her then because people have often said that we're alike." Watts was once expected to star in a remake of The Birds (1963) and has dressed up as Hedren's title character from Marnie for a photo shoot for March 2008 issue of Vanity Fair magazine. In the same issue, Jodie Foster dressed up as Hedren's character, Melanie Daniels from The Birds (1963).
In another issue of Vanity Fair, the magazine referred to January Jones's character in Mad Men as "Tippi Hedren's soul sister from Marnie". The New York Times television critic earlier had echoed the same sentiment in his review of Mad Men. January Jones said that she "takes it a compliment of sorts" when compared to Grace Kelly and Hedren.Actress Tea Leoni said that her character in the film Manure (2009) is made up to look like Hedren.
In 1981, Hedren produced Roar, an 11-year project that ended up costing $17 million and starring dozens of African lions. "This was probably one of the most dangerous films that Hollywood has ever seen", remarked the actress. "It's amazing no one was killed." During the production of Roar, Hedren, her husband at the time, Noel Marshall, and daughter Melanie were attacked by lions; Jan de Bont, the director of photography, was scalped. She later co-wrote the book Cats of Shambala (1985) about the experience. Roar made only $2 million worldwide. Hedren ended her marriage to Marshall a year later in 1982. The film directly led to the 1983 establishment of the non-profit Roar Foundation and Hedren's Shambala Preserve, located at the edge of the Mojave Desert in Acton, California between the Antelope Valley and the Santa Clarita Valley 40 miles (64 km) northeast of Los Angeles. Shambala currently houses some 70 animals, including African lions, Siberian and Bengal tigers, leopards, servals, mountain lions and bobcats. Hedren lives on the Shambala site and conducts monthly tours of the preserve for the public. Hedren took in and cared for Togar, a lion that belonged to Anton LaVey, after he was told by San Francisco officials that he couldn't keep a fully grown lion as a house pet. More recently, Shambala became the new home for Michael Jackson’s two Bengal tigers, Sabu and Thriller, after he decided to close his zoo at his Neverland Valley Ranch in Los Olivos, California. On December 3, 2007, Shambala Preserve made headlines when Chris Orr, a caretaker for the animals, was mauled by a tiger named Alexander.
Several documentaries have focused on Shambala Preserve, including the 30-minute Lions: Kings of the Serengeti (1995), narrated by Melanie Griffith, and Animal Planet's Life with Big Cats (1998), which won the Genesis Award for best documentary in 1999. The animals at the preserve served as the initial inspiration for the life's work of artist A. E. London, who started her career working for Hedren.
Hedren is the mother of Academy Award nominee Melanie Griffith, and they share credits on several productions, notably Pacific Heights (1990).
Hedren was born in New Ulm, Minnesota in 1930 to Dorothea Henrietta (née Eckhardt) and Bernard Carl Hedren. Her paternal grandparents were immigrants from Sweden, and her maternal ancestry was German and Norwegian. Her father ran a small general store in the small town of Lafayette, Minnesota and gave her the nickname "Tippi." "My father thought Nathalie was a little bit much for a brand new baby," Hedren explained at a 2004 screening of The Birds.
As a teenager, Hedren took part in department store fashion shows. Her parents relocated to California while she was still a high school student. When she reached her 18th birthday, she bought a ticket to New York and began a professional modeling career. Within a year she made her film debut (minus dialogue) as a Petty Girl model in The Petty Girl (1950) musical comedy, although in interviews she refers to The Birds (1963) as her first film.
Hedren had a successful modeling career in the 1950s and 1960s, appearing on covers of national magazines, such as Life magazine.[6] She was discovered by Hitchcock, who was watching The Today Show when he saw Hedren in a commercial for Sego, a diet drink. Hitchcock was looking for an actress who possessed something of the sophistication, self-assurance and cool-blonde sex appeal of Grace Kelly, with whom he had made three films. Hedren, expensively groomed and mentored by Hitchcock, appeared in his films The Birds and Marnie. At the time of the films' releases, she was criticized for being too passive in The Birds and too expressive in Marnie. It took years before she received respect for her work in both films from American film critics.
At a packed house in Lancaster, California's Antelope Valley Independent Film Festival Cinema Series screening of The Birds on September 28, 2004, Hedren recalled how she was mysteriously selected for a lead role: "I said, 'Well, who is this person? Who is interested?'... Nobody would tell me who it was." (It was Alfred Hitchcock, who soon announced his choice of Hedren.)
Hitchcock put Hedren through a then-costly $25,000 screen test, doing scenes from his previous films, such as Rebecca, Notorious and To Catch a Thief with actor Martin Balsam. He signed her to a multi-year exclusive personal contract, something he had done in the 1950s with Vera Miles. Hitchcock's plan to mold Hedren's public image went so far as to carefully control her style of dressing and grooming.[citation needed] Hitchcock insisted for publicity purposes that her name should be printed only in single quotes, "Tippi". The press mostly ignored this directive from the director, who felt that the single quotes added distinction and mystery to Hedren's name. In interviews, Hitchcock compared his newcomer not only to her predecessor Grace Kelly but also to what he referred to as such "ladylike", intelligent, and stylish stars of more glamorous eras as Irene Dunne and Jean Arthur. Later, Hedren indicated that she didn't want to be known as the next Grace Kelly but rather as the first Tippi Hedren.
Her appearance in The Birds brought a wealth of publicity. In a December 1962 Look magazine cover story "Hitchcock's New Grace Kelly", Alfred Hitchcock compared her to his star of To Catch a Thief and Rear Window, saying, "'Tippi' has a faster tempo, city glibness, more humor. She displayed jaunty assuredness, pertness, an attractive throw of the head. And she memorized and read lines extraordinarily well and is sharper in expression."
Hedren said of Hitchcock, "He is subtle as a psychiatrist and never gives displaced encouragement." With the release of the film, she got a very tepid reception, the only exceptions being critic Bob Thomas ("Miss Hedren makes an impressive debut") and Time ("pleasant and ladylike, as Grace Kelly was.") Years after the film's release, she remembered the location work at Bodega Bay as dangerous and taxing, commenting, "For a first film, it was a lot of work."
For the final attack scene in a second-floor bedroom, filmed on a closed set at Universal-International Studios, Hedren had been assured by Hitchcock that mechanical birds would be used. Instead, Hedren endured five solid days of prop men, protected by thick leather gloves, flinging dozens of live gulls, ravens and crows at her (their beaks clamped shut with elastic bands). Cary Grant visited the set and told Hedren, "I think you're the bravest lady I've ever met." In a state of exhaustion, when one of the birds gouged her cheek and narrowly missed her eye, Hedren sat down on the set and began crying. A physician ordered a week's rest, which Hedren said at the time was riddled with "nightmares filled with flapping wings". The Birds brought her a Golden Globe as Most Promising Newcomer.
Premiere magazine chose Hedren's character, Melanie Daniels in The Birds as one of "The 100 Greatest Characters of All Time". Marnie (1964), a psychological thriller from the novel by Winston Graham, was Hedren's second Hitchcock assignment, co-starring with Sean Connery. She recalls Marnie as the favorite of her two films for Hitchcock because of the central character, an emotionally battered young woman who travels from city to city assuming various guises in order to rob her employers. On release, the film was greeted by mixed reviews and indifferent box-office returns. Although Hitchcock continued to have Hedren in mind for several other films after Marnie, the actress declined any further work with him. Other directors who wanted to hire her had to go through Hitchcock, who would inform them she was unavailable. "It grew to be impossible. He was a very controlling type of person, and I guess I'm not about to be controlled", said Hedren. When Hedren tried to get out of her contract, she recalls Hitchcock telling her he'd ruin her career. "And he did: kept me under contract, kept paying me every week for almost two years to do nothing."
By the time Hitchcock sold her contract to Universal and she was fired for refusing work on one of its television shows, Hedren's career had stalled.
On April 13, 2011, at the Cinema Arts Centre in Huntington, NY, Hedren stated in an interview with Turner Classic Movies' Ben Mankiewicz, prior to a screening of The Birds, that because she refused Hitchcock’s sexual advances, Hitchcock effectively stunted her career.
Charles Chaplin cast her as the sophisticated, brittle, cheated-upon wife of Marlon Brando in his shipboard comedy A Countess from Hong Kong (1967). She made more than 40 films between 1967 and 2006, including Pacific Heights, Citizen Ruth and I Heart Huckabees.[citation needed] More recently, she has appeared in episodes of The 4400 in 2006 and CSI: Crime Scene Investigation in 2006. She was a cast member of the night-time soap opera Fashion House in 2006. Hedren has also appeared in many independent films. In 2009, she co-starred with actress Brittany Murphy in the made-for-television movie Tribute.
A Louis Vuitton ad campaign in 2006 paid tribute to Hedren and Hitchcock with a modern-day interpretation of the deserted railway station opening sequence of Marnie. Her 1963 publicity picture from The Birds was the cover for Jean-Pierre Dufreigne's book Hitchcock Style (2004). In interviews, Naomi Watts has stated that her character interpretation in Mulholland Drive (2001) was influenced by the look and performances of Hedren and Kim Novak in Hitchcock films. Watts and Hedren later acted in I Heart Huckabees (2004) but didn't share any scenes together onscreen. Off-screen, the film's director David O. Russell introduced them both, and Watts has said about Hedren, "I was pretty fascinated by her then because people have often said that we're alike." Watts was once expected to star in a remake of The Birds (1963) and has dressed up as Hedren's title character from Marnie for a photo shoot for March 2008 issue of Vanity Fair magazine. In the same issue, Jodie Foster dressed up as Hedren's character, Melanie Daniels from The Birds (1963).
In another issue of Vanity Fair, the magazine referred to January Jones's character in Mad Men as "Tippi Hedren's soul sister from Marnie". The New York Times television critic earlier had echoed the same sentiment in his review of Mad Men. January Jones said that she "takes it a compliment of sorts" when compared to Grace Kelly and Hedren.Actress Tea Leoni said that her character in the film Manure (2009) is made up to look like Hedren.
In 1981, Hedren produced Roar, an 11-year project that ended up costing $17 million and starring dozens of African lions. "This was probably one of the most dangerous films that Hollywood has ever seen", remarked the actress. "It's amazing no one was killed." During the production of Roar, Hedren, her husband at the time, Noel Marshall, and daughter Melanie were attacked by lions; Jan de Bont, the director of photography, was scalped. She later co-wrote the book Cats of Shambala (1985) about the experience. Roar made only $2 million worldwide. Hedren ended her marriage to Marshall a year later in 1982. The film directly led to the 1983 establishment of the non-profit Roar Foundation and Hedren's Shambala Preserve, located at the edge of the Mojave Desert in Acton, California between the Antelope Valley and the Santa Clarita Valley 40 miles (64 km) northeast of Los Angeles. Shambala currently houses some 70 animals, including African lions, Siberian and Bengal tigers, leopards, servals, mountain lions and bobcats. Hedren lives on the Shambala site and conducts monthly tours of the preserve for the public. Hedren took in and cared for Togar, a lion that belonged to Anton LaVey, after he was told by San Francisco officials that he couldn't keep a fully grown lion as a house pet. More recently, Shambala became the new home for Michael Jackson’s two Bengal tigers, Sabu and Thriller, after he decided to close his zoo at his Neverland Valley Ranch in Los Olivos, California. On December 3, 2007, Shambala Preserve made headlines when Chris Orr, a caretaker for the animals, was mauled by a tiger named Alexander.
Several documentaries have focused on Shambala Preserve, including the 30-minute Lions: Kings of the Serengeti (1995), narrated by Melanie Griffith, and Animal Planet's Life with Big Cats (1998), which won the Genesis Award for best documentary in 1999. The animals at the preserve served as the initial inspiration for the life's work of artist A. E. London, who started her career working for Hedren.
Wednesday, August 3, 2011
North by Northwest (1959): Eva Marie Saint
North by Northwest is a 1959 American thriller film directed by Alfred Hitchcock, starring Cary Grant, Eva Marie Saint and James Mason, and featuring Leo G. Carroll and Martin Landau. The screenplay was written by Ernest Lehman, who wanted to write "the Hitchcock picture to end all Hitchcock pictures".
North by Northwest is a tale of mistaken identity, with an innocent man pursued across the United States by agents of a mysterious organization who want to stop his interference in their plans to smuggle out microfilm containing government secrets (a classic MacGuffin).
Author and journalist Nick Clooney praised Lehman's original story and sophisticated dialogue, calling the film "certainly Alfred Hitchcock's most stylish thriller, if not his best".
This is one of several Hitchcock movies with a music score by Bernard Herrmann and features a memorable opening title sequence by graphic designer Saul Bass. This film is generally cited as the first to feature extended use of kinetic typography in its opening credits.
A Madison Avenue advertising executive, Roger Thornhill (Cary Grant), is mistaken for a Mr. George Kaplan when he summons a hotel bellhop who is paging Kaplan, and is kidnapped by Valerian (Adam Williams) and Licht (Robert Ellenstein). They take him to the house of Lester Townsend on Long Island. There he is interrogated by a man he assumes to be Townsend, but who is really foreign spy Phillip Vandamm (James Mason). Thornhill repeatedly denies he is Kaplan, but Vandamm refuses to believe his men picked up the wrong man. He orders his right-hand man Leonard (Martin Landau) to get rid of him.
Thornhill is forced to drink bourbon in an attempt to stage a fatal road accident. However, he pushes one thug out of the car and drives off. After a perilous drive, he is arrested for drunk driving. He is unable to get the police, the judge, or even his mother (Jessie Royce Landis) to believe what happened to him, especially when a woman at Townsend's residence says he got drunk at her dinner party; she also mentions that Townsend is a United Nations diplomat.
Thornhill and his mother go to Kaplan's hotel room, but cannot find anyone there who has seen him. While in the room, Thornhill answers the phone; it is one of Vandamm's henchmen. Narrowly avoiding recapture, Thornhill takes a taxi to the General Assembly building of the United Nations, where Townsend is due to deliver a speech. Thornhill meets Townsend face to face and is surprised to find that the diplomat is not the man who interrogated him, and Townsend expresses surprise that anybody else has been living in his house. Before he can ask any more questions, Valerian throws a knife, striking Townsend in the back. He falls forward, dead, into Thornhill's arms. Without thinking, Thornhill removes the knife, making it appear to witnesses that he is the killer. He flees.
Knowing that Kaplan has a reservation at a Chicago hotel the next day, Thornhill sneaks onto the 20th Century Limited. On board, he meets Eve Kendall (Eva Marie Saint), who hides Thornhill from policemen searching the train. She asks about his personalized matchbooks with the initials ROT; he says the O stands for nothing. Unbeknownst to Thornhill, Eve is working with Vandamm and Leonard, who are in another compartment. Upon arriving in Chicago, Thornhill borrows a porter's uniform and carries Eve's luggage through the crowd, eluding police. Eve (who is Vandamm's lover) lies to Thornhill, telling him she has arranged a meeting with Kaplan. She gives him directions to the place.
In an iconic sequence, Thornhill travels by bus to an isolated crossroads, with flat countryside all around and only scarce traffic. Another man is dropped off at the bus stop, but turns out to be unconnected to Thornhill; the man leaves on a bus after observing that a nearby biplane is "dusting crops where there ain't no crops." Moments later, the plane turns toward Thornhill. To his terror, it dives at him, passing him at an altitude of only a few feet, forcing him to throw himself to the ground; immediately after that, someone on the plane opens fire on Thornhill with an automatic weapon, missing him just barely. This process is repeated several times. Thornhill flees to the cover of a cornfield, but the plane dusts it with pesticide, forcing him out. Desperate, Thornhill steps in front of a speeding gasoline tank truck, which stops barely in time. The plane crashes into it and explodes. When passing drivers stop to see what is going on, Thornhill steals a pickup truck and drives back to Chicago.
Thornhill returns to the hotel, where he is surprised to learn that Kaplan had already checked out when Eve claimed to have spoken to him. Suspicious, he goes to Eve's room to question her. She lets him get cleaned up as she leaves. From the impression of a message written on a notepad, Thornhill learns her destination: an art auction. There, he finds Vandamm, Leonard, and Eve. Vandamm purchases a pre-Columbian Tarascan statue and departs. Thornhill tries to follow, only to find all exits covered by Vandamm's men. He escapes from them by placing nonsensical bids, making such a nuisance of himself that the police have to be called to remove him.
Thornhill tries to remain safely in police custody and identifies himself as a wanted fugitive, but the officers are ordered to take him to Midway Airport instead of a police station. (There, a gate for Northwest Airlines is seen, playing on the film's title). He meets the Professor (Leo G. Carroll), an American spymaster who is after Vandamm. The Professor reveals that George Kaplan does not exist: he was invented to distract Vandamm from the real government agent—Eve, whose life is now in danger. To protect her, Thornhill agrees to help the Professor.
They fly to Rapid City, South Dakota, where Thornhill (now pretending to be Kaplan) meets Eve and Vandamm in a crowded cafeteria at the base of Mount Rushmore. He offers to let Vandamm leave the country in exchange for Eve, but is turned down. When he tries to keep her from leaving, Eve shoots Thornhill and flees. He is taken away in an ambulance. At a secluded spot, however, he emerges unharmed, having been shot with blanks. To his dismay, he learns that, having proven her loyalty and made herself a fugitive, Eve will accompany Vandamm out of the country that night. To keep him from interfering further, Thornhill is locked in a hospital room.
He manages to escape, goes to Vandamm's mountainside home, and slips inside undetected. He learns that the Tarascan statue contains secrets on microfilm. Then, while Eve is out of the room, Leonard fires the gun she used at Vandamm, demonstrating how the shooting was faked. Vandamm decides to throw Eve out of the airplane when they are flying over water. Thornhill manages to warn her by writing a note inside one of his ROT matchbooks and dropping it where she can find it.
On the way to the airplane, Eve grabs the statue and joins Thornhill. Leonard and Valerian chase them across the top of the Mount Rushmore monument. Valerian lunges at the pair, but falls to his death. Eve slips and clings desperately to the steep mountainside. Thornhill grabs her hand, while precariously holding on with his other hand. Leonard appears and treads on his hand. They are saved when the Professor has a police marksman shoot Leonard, who falls to his death, and Vandamm is arrested.
The scene transitions from Thornhill pulling Eve up to safety on Mount Rushmore to him pulling her, now his wife, onto an upper bunk on a train. The final shot shows their train speeding into a tunnel.
North by Northwest is a tale of mistaken identity, with an innocent man pursued across the United States by agents of a mysterious organization who want to stop his interference in their plans to smuggle out microfilm containing government secrets (a classic MacGuffin).
Author and journalist Nick Clooney praised Lehman's original story and sophisticated dialogue, calling the film "certainly Alfred Hitchcock's most stylish thriller, if not his best".
This is one of several Hitchcock movies with a music score by Bernard Herrmann and features a memorable opening title sequence by graphic designer Saul Bass. This film is generally cited as the first to feature extended use of kinetic typography in its opening credits.
A Madison Avenue advertising executive, Roger Thornhill (Cary Grant), is mistaken for a Mr. George Kaplan when he summons a hotel bellhop who is paging Kaplan, and is kidnapped by Valerian (Adam Williams) and Licht (Robert Ellenstein). They take him to the house of Lester Townsend on Long Island. There he is interrogated by a man he assumes to be Townsend, but who is really foreign spy Phillip Vandamm (James Mason). Thornhill repeatedly denies he is Kaplan, but Vandamm refuses to believe his men picked up the wrong man. He orders his right-hand man Leonard (Martin Landau) to get rid of him.
Thornhill is forced to drink bourbon in an attempt to stage a fatal road accident. However, he pushes one thug out of the car and drives off. After a perilous drive, he is arrested for drunk driving. He is unable to get the police, the judge, or even his mother (Jessie Royce Landis) to believe what happened to him, especially when a woman at Townsend's residence says he got drunk at her dinner party; she also mentions that Townsend is a United Nations diplomat.
Thornhill and his mother go to Kaplan's hotel room, but cannot find anyone there who has seen him. While in the room, Thornhill answers the phone; it is one of Vandamm's henchmen. Narrowly avoiding recapture, Thornhill takes a taxi to the General Assembly building of the United Nations, where Townsend is due to deliver a speech. Thornhill meets Townsend face to face and is surprised to find that the diplomat is not the man who interrogated him, and Townsend expresses surprise that anybody else has been living in his house. Before he can ask any more questions, Valerian throws a knife, striking Townsend in the back. He falls forward, dead, into Thornhill's arms. Without thinking, Thornhill removes the knife, making it appear to witnesses that he is the killer. He flees.
Knowing that Kaplan has a reservation at a Chicago hotel the next day, Thornhill sneaks onto the 20th Century Limited. On board, he meets Eve Kendall (Eva Marie Saint), who hides Thornhill from policemen searching the train. She asks about his personalized matchbooks with the initials ROT; he says the O stands for nothing. Unbeknownst to Thornhill, Eve is working with Vandamm and Leonard, who are in another compartment. Upon arriving in Chicago, Thornhill borrows a porter's uniform and carries Eve's luggage through the crowd, eluding police. Eve (who is Vandamm's lover) lies to Thornhill, telling him she has arranged a meeting with Kaplan. She gives him directions to the place.
In an iconic sequence, Thornhill travels by bus to an isolated crossroads, with flat countryside all around and only scarce traffic. Another man is dropped off at the bus stop, but turns out to be unconnected to Thornhill; the man leaves on a bus after observing that a nearby biplane is "dusting crops where there ain't no crops." Moments later, the plane turns toward Thornhill. To his terror, it dives at him, passing him at an altitude of only a few feet, forcing him to throw himself to the ground; immediately after that, someone on the plane opens fire on Thornhill with an automatic weapon, missing him just barely. This process is repeated several times. Thornhill flees to the cover of a cornfield, but the plane dusts it with pesticide, forcing him out. Desperate, Thornhill steps in front of a speeding gasoline tank truck, which stops barely in time. The plane crashes into it and explodes. When passing drivers stop to see what is going on, Thornhill steals a pickup truck and drives back to Chicago.
Thornhill returns to the hotel, where he is surprised to learn that Kaplan had already checked out when Eve claimed to have spoken to him. Suspicious, he goes to Eve's room to question her. She lets him get cleaned up as she leaves. From the impression of a message written on a notepad, Thornhill learns her destination: an art auction. There, he finds Vandamm, Leonard, and Eve. Vandamm purchases a pre-Columbian Tarascan statue and departs. Thornhill tries to follow, only to find all exits covered by Vandamm's men. He escapes from them by placing nonsensical bids, making such a nuisance of himself that the police have to be called to remove him.
Thornhill tries to remain safely in police custody and identifies himself as a wanted fugitive, but the officers are ordered to take him to Midway Airport instead of a police station. (There, a gate for Northwest Airlines is seen, playing on the film's title). He meets the Professor (Leo G. Carroll), an American spymaster who is after Vandamm. The Professor reveals that George Kaplan does not exist: he was invented to distract Vandamm from the real government agent—Eve, whose life is now in danger. To protect her, Thornhill agrees to help the Professor.
They fly to Rapid City, South Dakota, where Thornhill (now pretending to be Kaplan) meets Eve and Vandamm in a crowded cafeteria at the base of Mount Rushmore. He offers to let Vandamm leave the country in exchange for Eve, but is turned down. When he tries to keep her from leaving, Eve shoots Thornhill and flees. He is taken away in an ambulance. At a secluded spot, however, he emerges unharmed, having been shot with blanks. To his dismay, he learns that, having proven her loyalty and made herself a fugitive, Eve will accompany Vandamm out of the country that night. To keep him from interfering further, Thornhill is locked in a hospital room.
He manages to escape, goes to Vandamm's mountainside home, and slips inside undetected. He learns that the Tarascan statue contains secrets on microfilm. Then, while Eve is out of the room, Leonard fires the gun she used at Vandamm, demonstrating how the shooting was faked. Vandamm decides to throw Eve out of the airplane when they are flying over water. Thornhill manages to warn her by writing a note inside one of his ROT matchbooks and dropping it where she can find it.
On the way to the airplane, Eve grabs the statue and joins Thornhill. Leonard and Valerian chase them across the top of the Mount Rushmore monument. Valerian lunges at the pair, but falls to his death. Eve slips and clings desperately to the steep mountainside. Thornhill grabs her hand, while precariously holding on with his other hand. Leonard appears and treads on his hand. They are saved when the Professor has a police marksman shoot Leonard, who falls to his death, and Vandamm is arrested.
The scene transitions from Thornhill pulling Eve up to safety on Mount Rushmore to him pulling her, now his wife, onto an upper bunk on a train. The final shot shows their train speeding into a tunnel.
Tuesday, August 2, 2011
Success 2011: Eva Marie Saint, a classic actress with an Oscar and two stars on the Hollywood Walk of Fame
Eva Marie Saint (born July 4, 1924) is an American actress who has starred in films, on Broadway, and on television in a career spanning seven decades. She won an Academy Award for Best Supporting Actress for her performance in the drama film On the Waterfront (1954), and later starred in the thriller film North by Northwest (1959), directed by Alfred Hitchcock. Saint received Golden Globe and BAFTA award nominations for the drama film A Hatful of Rain (1957) and won an Emmy Award for the television miniseries People Like Us (1990). Her film career also includes roles in Raintree County (1957), Because of Winn-Dixie (2005), and Superman Returns (2006).
Saint was born in Newark, New Jersey, the daughter of Eva Marie (née Rice) and John Merle Saint. She attended Bethlehem Central High School in Delmar, New York, graduating in 1942. Eva Marie was inducted into the high school's hall of fame in 2006. She studied acting at Bowling Green State University, while a member of Delta Gamma Sorority. There is a theater on Bowling Green's campus named for her. She was an active member in the theater honorary fraternity, Theta Alpha Phi and served as Secretary of the Bowling Green Student Government in 1944.
Saint's first feature-film role was in On the Waterfront (1954), directed by Elia Kazan and starring Marlon Brando - a performance for which she won the Academy Award for Best Supporting Actress. Her role as Edie Doyle (whose brother's death sets the film's drama in motion), which she won over such leading contenders as Claire Trevor, Nina Foch, Katy Jurado, and Jan Sterling also earned her a British Academy of Film and Television Award nomination for "Most Promising Newcomer." In his New York Times review, film critic Bosley Crowther wrote:
"In casting Eva Marie Saint - a newcomer to movies from TV and Broadway - Mr. Kazan has come up with a pretty and blond artisan who does not have to depend on these attributes. Her parochial school training is no bar to love with the proper stranger. Amid scenes of carnage, she gives tenderness and sensitivity to genuine romance."
In a 2000 interview in Premiere magazine, Saint recalled making the hugely influential film:
“Kazan put me in a room with Marlon Brando. He said 'Brando is the boyfriend of your sister. You're not used to being with a young man. Don't let him in the door under any circumstances'. I don't know what he told Marlon; you'll have to ask him - good luck! Brando came in and started teasing me. He put me off-balance. And I remained off-balance for the whole shoot.”
The watershed success of the film launched Saint into many of the best known films of her early screen career. They include starring with Don Murray in the pioneering drug-addiction drama, A Hatful of Rain (1957), for which she received a nomination for the "Best Foreign Actress" award from the British Academy of Film and Television, and the lavish Civil War epic Raintree County, opposite Elizabeth Taylor and Montgomery Clift.
Director Alfred Hitchcock surprised many by choosing Saint over dozens of other candidates for the femme fatale role in what was to become a suspense classic North by Northwest (1959) with Cary Grant and James Mason. Written by Ernest Lehman, the film updated and expanded upon the director's early "wrong man" spy adventures of the 1930s, 1940s, and 1950s, including The 39 Steps, Young and Innocent, and Foreign Correspondent. North by Northwest became a box-office hit and an influence on spy films for decades. The film ranks number forty on the American Film Institute's list of the 100 Greatest American Movies of All Time.
At the time of the film's production, much publicity was garnered by Hitchcock's decision to cut Saint's waist-length blonde hair for the first time in her career. Hitchcock explained at the time, "Short hair gives Eva a more exotic look, in keeping with her role of the glamorous woman of my story. I wanted her dressed like a kept woman - smart, simple, subtle and quiet. In other words, anything but the bangles and beads type." The director also worked with Saint to make her voice lower and huskier and even personally chose costumes for her during a shopping trip to Bergdorf Goodman in New York City.
The change in Saint's screen persona, coupled with her adroit performance as a seductive woman of mystery who keeps Cary Grant (and the audience) off-balance, was widely heralded. In his New York Times review of August 7, 1959, critic Bosley Crowther wrote, "In casting Eva Marie Saint as [Cary Grant's] romantic vis-a-vis, Mr. Hitchcock has plumbed some talents not shown by the actress heretofore. Although she is seemingly a hard, designing type, she also emerges both the sweet heroine and a glamorous charmer." In 2000, recalling her experience making the picture with Cary Grant and Hitchcock, Saint said, "[Grant] would say, 'See, Eva Marie, you don't have to cry in a movie to have a good time. Just kick up your heels and have fun.' Hitchcock said, 'I don't want you to do a sink-to-sink movie again, ever. You've done these black-and-white movies like On the Waterfront. It's drab in that tenement house. Women go to the movies, and they've just left the sink at home. They don't want to see you at the sink.' I said, 'I can't promise you that, Hitch, because I love those dramas.'"
Although North by Northwest might have propelled her to the top ranks of stardom, she elected to limit film work in order to spend time with her husband since 1951, director Jeffrey Hayden, and their two children. Nevertheless, in the 1960s, Saint continued to distinguish herself in both high-profile and offbeat pictures. She co-starred again with Paul Newman in the historical drama about the founding of the state of Israel Exodus (1960), directed by Otto Preminger. She also co-starred with Warren Beatty, Karl Malden and Angela Lansbury as a tragic beauty in the drama All Fall Down (1962). Based upon a novel by James Leo Herlihy and a screenplay by William Inge, the film was directed by John Frankenheimer.
She was seen with Elizabeth Taylor and Richard Burton in the melodrama The Sandpiper for Vincente Minnelli, and with James Garner in the World War II thriller 36 Hours (1964), directed by George Seaton. Saint joined an all-star cast in the comedic satire The Russians Are Coming, The Russians Are Coming, directed by Norman Jewison and the international racing drama Grand Prix (1966) presented in Cinerama and directed by Frankenheimer.
Saint received some of her best reviews[citation needed] for her appearance in Loving (1970), co-starring as the wife of George Segal in a critically acclaimed but underseen drama about a commercial artist's relationship with his wife and other women. Because of the mostly second-rate film roles that came her way in the 1970s, Saint returned to television and the stage in the 1980s. She appeared in a number of made-for-television films and played the mother of Cybill Shepherd on the television series Moonlighting over a three-year period. She received an Emmy nomination for the 1977 miniseries How The West Was Won, and a 1978 Emmy nomination for Taxi!!!.
Saint returned to the big screen for the first time in over a decade as Tom Hanks' mother in the Garry Marshall-directed comedy Nothing in Common (1986). Critics applauded her return to features, but Saint was soon back on the small screen in numerous projects.
After receiving five nominations, Saint won her first Emmy Award for the 1990 miniseries film People Like Us. She appeared in a number of television productions in the 1990s and was cast as the mother of Frasier Crane's radio producer, Roz Doyle, in a 1999 episode of the hit comedy series Frasier.
In 2000, she returned to feature films once again in I Dreamed of Africa with Kim Basinger. In 2005 she co-starred with Jessica Lange and Sam Shepard in Don't Come Knocking. Also in 2005, she appeared in the family film Because of Winn-Dixie, co-starring Annasophia Robb, Jeff Daniels and Cicely Tyson.
In 2006, Saint appeared in Superman Returns, as Martha Kent, the adoptive mother of Superman, alongside Brandon Routh, Kevin Spacey, Kate Bosworth, and a computer-generated performance from her On The Waterfront co-star Marlon Brando.
Saint has appeared in a number of television specials and documentaries, particularly in the past decade, including The Making of North by Northwest, which she narrated and hosted. In 2009, she made a rare public appearance at the 81st Academy Awards ceremony as a Best Supporting Actress presenter. In 2011, Saint participated in two screenings of North by Northwest with Robert Osborne.
She has two stars on the Hollywood Walk of Fame, for motion pictures at 6624 Hollywood Boulevard, and television at 6730 Hollywood Boulevard.
Saint has also been confirmed to appear in the 2012 Nickelodeon animated series Avatar: The Legend of Korra, which is a sequel to the hit TV Show Avatar: The Last Airbender. It is not yet known what role she will play in the series.
Saint was born in Newark, New Jersey, the daughter of Eva Marie (née Rice) and John Merle Saint. She attended Bethlehem Central High School in Delmar, New York, graduating in 1942. Eva Marie was inducted into the high school's hall of fame in 2006. She studied acting at Bowling Green State University, while a member of Delta Gamma Sorority. There is a theater on Bowling Green's campus named for her. She was an active member in the theater honorary fraternity, Theta Alpha Phi and served as Secretary of the Bowling Green Student Government in 1944.
Saint's first feature-film role was in On the Waterfront (1954), directed by Elia Kazan and starring Marlon Brando - a performance for which she won the Academy Award for Best Supporting Actress. Her role as Edie Doyle (whose brother's death sets the film's drama in motion), which she won over such leading contenders as Claire Trevor, Nina Foch, Katy Jurado, and Jan Sterling also earned her a British Academy of Film and Television Award nomination for "Most Promising Newcomer." In his New York Times review, film critic Bosley Crowther wrote:
"In casting Eva Marie Saint - a newcomer to movies from TV and Broadway - Mr. Kazan has come up with a pretty and blond artisan who does not have to depend on these attributes. Her parochial school training is no bar to love with the proper stranger. Amid scenes of carnage, she gives tenderness and sensitivity to genuine romance."
In a 2000 interview in Premiere magazine, Saint recalled making the hugely influential film:
“Kazan put me in a room with Marlon Brando. He said 'Brando is the boyfriend of your sister. You're not used to being with a young man. Don't let him in the door under any circumstances'. I don't know what he told Marlon; you'll have to ask him - good luck! Brando came in and started teasing me. He put me off-balance. And I remained off-balance for the whole shoot.”
The watershed success of the film launched Saint into many of the best known films of her early screen career. They include starring with Don Murray in the pioneering drug-addiction drama, A Hatful of Rain (1957), for which she received a nomination for the "Best Foreign Actress" award from the British Academy of Film and Television, and the lavish Civil War epic Raintree County, opposite Elizabeth Taylor and Montgomery Clift.
Director Alfred Hitchcock surprised many by choosing Saint over dozens of other candidates for the femme fatale role in what was to become a suspense classic North by Northwest (1959) with Cary Grant and James Mason. Written by Ernest Lehman, the film updated and expanded upon the director's early "wrong man" spy adventures of the 1930s, 1940s, and 1950s, including The 39 Steps, Young and Innocent, and Foreign Correspondent. North by Northwest became a box-office hit and an influence on spy films for decades. The film ranks number forty on the American Film Institute's list of the 100 Greatest American Movies of All Time.
At the time of the film's production, much publicity was garnered by Hitchcock's decision to cut Saint's waist-length blonde hair for the first time in her career. Hitchcock explained at the time, "Short hair gives Eva a more exotic look, in keeping with her role of the glamorous woman of my story. I wanted her dressed like a kept woman - smart, simple, subtle and quiet. In other words, anything but the bangles and beads type." The director also worked with Saint to make her voice lower and huskier and even personally chose costumes for her during a shopping trip to Bergdorf Goodman in New York City.
The change in Saint's screen persona, coupled with her adroit performance as a seductive woman of mystery who keeps Cary Grant (and the audience) off-balance, was widely heralded. In his New York Times review of August 7, 1959, critic Bosley Crowther wrote, "In casting Eva Marie Saint as [Cary Grant's] romantic vis-a-vis, Mr. Hitchcock has plumbed some talents not shown by the actress heretofore. Although she is seemingly a hard, designing type, she also emerges both the sweet heroine and a glamorous charmer." In 2000, recalling her experience making the picture with Cary Grant and Hitchcock, Saint said, "[Grant] would say, 'See, Eva Marie, you don't have to cry in a movie to have a good time. Just kick up your heels and have fun.' Hitchcock said, 'I don't want you to do a sink-to-sink movie again, ever. You've done these black-and-white movies like On the Waterfront. It's drab in that tenement house. Women go to the movies, and they've just left the sink at home. They don't want to see you at the sink.' I said, 'I can't promise you that, Hitch, because I love those dramas.'"
Although North by Northwest might have propelled her to the top ranks of stardom, she elected to limit film work in order to spend time with her husband since 1951, director Jeffrey Hayden, and their two children. Nevertheless, in the 1960s, Saint continued to distinguish herself in both high-profile and offbeat pictures. She co-starred again with Paul Newman in the historical drama about the founding of the state of Israel Exodus (1960), directed by Otto Preminger. She also co-starred with Warren Beatty, Karl Malden and Angela Lansbury as a tragic beauty in the drama All Fall Down (1962). Based upon a novel by James Leo Herlihy and a screenplay by William Inge, the film was directed by John Frankenheimer.
She was seen with Elizabeth Taylor and Richard Burton in the melodrama The Sandpiper for Vincente Minnelli, and with James Garner in the World War II thriller 36 Hours (1964), directed by George Seaton. Saint joined an all-star cast in the comedic satire The Russians Are Coming, The Russians Are Coming, directed by Norman Jewison and the international racing drama Grand Prix (1966) presented in Cinerama and directed by Frankenheimer.
Saint received some of her best reviews[citation needed] for her appearance in Loving (1970), co-starring as the wife of George Segal in a critically acclaimed but underseen drama about a commercial artist's relationship with his wife and other women. Because of the mostly second-rate film roles that came her way in the 1970s, Saint returned to television and the stage in the 1980s. She appeared in a number of made-for-television films and played the mother of Cybill Shepherd on the television series Moonlighting over a three-year period. She received an Emmy nomination for the 1977 miniseries How The West Was Won, and a 1978 Emmy nomination for Taxi!!!.
Saint returned to the big screen for the first time in over a decade as Tom Hanks' mother in the Garry Marshall-directed comedy Nothing in Common (1986). Critics applauded her return to features, but Saint was soon back on the small screen in numerous projects.
After receiving five nominations, Saint won her first Emmy Award for the 1990 miniseries film People Like Us. She appeared in a number of television productions in the 1990s and was cast as the mother of Frasier Crane's radio producer, Roz Doyle, in a 1999 episode of the hit comedy series Frasier.
In 2000, she returned to feature films once again in I Dreamed of Africa with Kim Basinger. In 2005 she co-starred with Jessica Lange and Sam Shepard in Don't Come Knocking. Also in 2005, she appeared in the family film Because of Winn-Dixie, co-starring Annasophia Robb, Jeff Daniels and Cicely Tyson.
In 2006, Saint appeared in Superman Returns, as Martha Kent, the adoptive mother of Superman, alongside Brandon Routh, Kevin Spacey, Kate Bosworth, and a computer-generated performance from her On The Waterfront co-star Marlon Brando.
Saint has appeared in a number of television specials and documentaries, particularly in the past decade, including The Making of North by Northwest, which she narrated and hosted. In 2009, she made a rare public appearance at the 81st Academy Awards ceremony as a Best Supporting Actress presenter. In 2011, Saint participated in two screenings of North by Northwest with Robert Osborne.
She has two stars on the Hollywood Walk of Fame, for motion pictures at 6624 Hollywood Boulevard, and television at 6730 Hollywood Boulevard.
Saint has also been confirmed to appear in the 2012 Nickelodeon animated series Avatar: The Legend of Korra, which is a sequel to the hit TV Show Avatar: The Last Airbender. It is not yet known what role she will play in the series.
Monday, August 1, 2011
Success 2011: El Matador Cayetano Rivera Ordóñez, Lord of the Bullring
Cayetano Rivera Ordóñez, (born on January 13, 1977 in Madrid, Spain) is a Spanish matador.
Rivera is the son of Francisco Rivera 'Paquirri' and Carmen Ordóñez along with his elder brother, the matador Francisco Rivera Ordóñez. His father’s second wife was Isabel Pantoja, with whom Cayetano has a half brother, Francisco Rivera Pantoja.
Rivera belongs to a long line of famous bullfighters: his great-grandfather was Cayetano Ordóñez, who fought under the name, 'Niño de la Palma', and was the inspiration for the matador in Ernest Hemingway's novel The Sun Also Rises (1926). Cayetano's grandfather Antonio Ordóñez was a friend of Orson Welles and Hemingway and subject of his book The Dangerous Summer (1960; published 1985) alongside Cayetano's great-uncle Luis Miguel Dominguín. His father Paquirri was killed by the bull Avispado when Cayetano was aged 8. His elder brother is Francisco Rivera Ordóñez and his cousin is Jose Antonio Canales Rivera.
Rivera made his novice debut 'con picadores' on March 26, 2005. On September 9, 2006, he took his 'alternativa' to become a full matador in the bullring with which his family is most associated in Ronda with his brother, Francisco, as his 'padrino.'He cut four ears of the two bulls he fought that day.
In 2007 he was on the cover of Vogue next to Penelope Cruz for an editorial titled 'Made in Spain' shot by Annie Leibovitz.
On his bullfighting time he is dressed by Armani. Cayetano Rivera and Giorgio Armani met in Valencia in 2006 and it was the Italian designer who proposed to design this very special suit for him. Armani specially designed the bullfighting costume, called the ‘Goyesco’ for Cayetano, for the ‘Corrida Goyesca’, that was to take place on September 6th, 2008 in Ronda, Spain.
Cayetano’s suit of lights was in the Goyaesque style. Years ago, also painter Pablo Picasso designed the same costume for Cayetano’s father. Though, an incident in Palencia where he got caught on the bull's horn prevented him to participate on the awaited occasion and it was postponed to September 6th, 2009. Cayetano along with José María Manzanares and Miguel Ángel Perera cut 8 ears that day of which the likes of Duquesa de Alba and Victorio & Lucchino were present.
In the season of 2009 he fought in 58 festivals and cut 77 ears, ranking him as number 6 in Spain on the Escalafón Matadores, the 'Matadors Ladder', up from number 16 in 2008.
Rivera represented the men’s accessories and ready-to-wear for luxury brand Loewe as well as the ambassador of the brand. On December 16, 2009 Rivera was presented as the next face for Loewe's men's fragrance 7 Loewe which launched in the fall of 2010. According to the company, style, pedigree, beauty and elegance are the attributes shared by Loewe and Cayetano Rivera, which is why the luxury brand set its sights on the bullfighter to advertise a fragrance that is about both tradition and modernity.
The perfume eventually won 'Best Masculine Selective Fragrance' award at the 2010 'Academia del Perfume' gala, it competed against other finalists in the category such as Bleu de Chanel and Boss Bottled Night. The award was received by Cayetano Rivera along with Loewe Spain General Manager Perfumes Francisco Prieto.
In Top 10 of Spanish Celebrities, brothers Francisco and Cayetano Rivera Ordoñez are on the 7th spot.
Cayetano Rivera married model and actress Blanca Romero on October 26, 2001 and divorced in 2004.
Rivera is the son of Francisco Rivera 'Paquirri' and Carmen Ordóñez along with his elder brother, the matador Francisco Rivera Ordóñez. His father’s second wife was Isabel Pantoja, with whom Cayetano has a half brother, Francisco Rivera Pantoja.
Rivera belongs to a long line of famous bullfighters: his great-grandfather was Cayetano Ordóñez, who fought under the name, 'Niño de la Palma', and was the inspiration for the matador in Ernest Hemingway's novel The Sun Also Rises (1926). Cayetano's grandfather Antonio Ordóñez was a friend of Orson Welles and Hemingway and subject of his book The Dangerous Summer (1960; published 1985) alongside Cayetano's great-uncle Luis Miguel Dominguín. His father Paquirri was killed by the bull Avispado when Cayetano was aged 8. His elder brother is Francisco Rivera Ordóñez and his cousin is Jose Antonio Canales Rivera.
Rivera made his novice debut 'con picadores' on March 26, 2005. On September 9, 2006, he took his 'alternativa' to become a full matador in the bullring with which his family is most associated in Ronda with his brother, Francisco, as his 'padrino.'He cut four ears of the two bulls he fought that day.
In 2007 he was on the cover of Vogue next to Penelope Cruz for an editorial titled 'Made in Spain' shot by Annie Leibovitz.
On his bullfighting time he is dressed by Armani. Cayetano Rivera and Giorgio Armani met in Valencia in 2006 and it was the Italian designer who proposed to design this very special suit for him. Armani specially designed the bullfighting costume, called the ‘Goyesco’ for Cayetano, for the ‘Corrida Goyesca’, that was to take place on September 6th, 2008 in Ronda, Spain.
Cayetano’s suit of lights was in the Goyaesque style. Years ago, also painter Pablo Picasso designed the same costume for Cayetano’s father. Though, an incident in Palencia where he got caught on the bull's horn prevented him to participate on the awaited occasion and it was postponed to September 6th, 2009. Cayetano along with José María Manzanares and Miguel Ángel Perera cut 8 ears that day of which the likes of Duquesa de Alba and Victorio & Lucchino were present.
In the season of 2009 he fought in 58 festivals and cut 77 ears, ranking him as number 6 in Spain on the Escalafón Matadores, the 'Matadors Ladder', up from number 16 in 2008.
Rivera represented the men’s accessories and ready-to-wear for luxury brand Loewe as well as the ambassador of the brand. On December 16, 2009 Rivera was presented as the next face for Loewe's men's fragrance 7 Loewe which launched in the fall of 2010. According to the company, style, pedigree, beauty and elegance are the attributes shared by Loewe and Cayetano Rivera, which is why the luxury brand set its sights on the bullfighter to advertise a fragrance that is about both tradition and modernity.
The perfume eventually won 'Best Masculine Selective Fragrance' award at the 2010 'Academia del Perfume' gala, it competed against other finalists in the category such as Bleu de Chanel and Boss Bottled Night. The award was received by Cayetano Rivera along with Loewe Spain General Manager Perfumes Francisco Prieto.
In Top 10 of Spanish Celebrities, brothers Francisco and Cayetano Rivera Ordoñez are on the 7th spot.
Cayetano Rivera married model and actress Blanca Romero on October 26, 2001 and divorced in 2004.
Saturday, July 30, 2011
Pulp Fiction (1994): John Travolta & Samuel L. Jackson
Pulp Fiction is a 1994 American crime film directed by Quentin Tarantino, who cowrote its screenplay with Roger Avary. The film is known for its rich, eclectic dialogue, ironic mix of humor and violence, nonlinear storyline, and host of cinematic allusions and pop culture references.
The film was nominated for seven Oscars, including Best Picture; Tarantino and Avary won for Best Original Screenplay. It was also awarded the Palme d'Or at the 1994 Cannes Film Festival. A major critical and commercial success, it revitalized the career of its leading man, John Travolta, who received an Academy Award nomination, as did costars Samuel L. Jackson and Uma Thurman.
Directed in a highly stylized manner, Pulp Fiction joins the intersecting storylines of Los Angeles mobsters, fringe players, small-time criminals, and a mysterious briefcase. Considerable screen time is devoted to conversations and monologues that reveal the characters' senses of humor and perspectives on life. The film's title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. Pulp Fiction is self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". The plot, as in many of Tarantino's other works, is presented out of chronological sequence.
The picture's self-reflexivity, unconventional structure, and extensive use of homage and pastiche have led critics to describe it as a prime example of postmodern film. Considered by some critics a black comedy, the film is also frequently labeled a "neo-noir". Critic Geoffrey O'Brien argues otherwise: "The old-time noir passions, the brooding melancholy and operatic death scenes, would be altogether out of place in the crisp and brightly lit wonderland that Tarantino conjures up. [It is] neither neo-noir nor a parody of noir".
Similarly, Nicholas Christopher calls it "more gangland camp than neo-noir", and Foster Hirsch suggests that its "trippy fantasy landscape" characterizes it more definitively than any genre label. Pulp Fiction is viewed as the inspiration for many later movies that adopted various elements of its style. The nature of its development, marketing, and distribution and its consequent profitability had a sweeping effect on the field of independent cinema (although it is not an independent film itself). Considered a cultural watershed, Pulp Fiction's influence has been felt in several other media.
John Travolta as Vincent Vega: Tarantino cast Travolta in Pulp Fiction only because Michael Madsen, who had a major role—Vic Vega—in Reservoir Dogs, chose to appear in Kevin Costner's Wyatt Earp instead. Madsen was still rueing his choice over a decade later. Harvey Weinstein pushed for Daniel Day-Lewis in the part. Travolta accepted a bargain rate for his services—sources claim either $100,000 or $140,000—but the film's success and his Oscar nomination as Best Actor revitalized his career. Travolta was subsequently cast in several hits including Get Shorty, in which he played a similar character, and the John Woo blockbuster Face/Off. In 2004, Tarantino discussed an idea for a movie starring Travolta and Madsen as the Vega brothers; the concept remains unrealized.
Samuel L. Jackson as Jules Winnfield: Tarantino had written the part with Jackson in mind, but the actor nearly lost it after his first audition was overshadowed by Paul Calderón's. Jackson assumed the audition was merely a reading. Harvey Weinstein convinced Jackson to audition a second time, and his performance of the final diner scene won over Tarantino. Jules was originally scripted with a giant afro, but Tarantino and Jackson agreed on the Jheri-curled wig seen in the film. (One reviewer took it as a "tacit comic statement about the ghettoization of blacks in movies".) Jackson received an Oscar nomination for Best Supporting Actor. Calderon appears in the movie as Paul, a bartender at Marsellus's social club.
Uma Thurman as Mia Wallace: Miramax favored Holly Hunter or Meg Ryan for the role. Alfre Woodard and Meg Tilly were also considered, but Tarantino wanted Thurman after their first meeting. She dominated most of the film's promotional material, appearing on a bed with cigarette in hand. She was nominated for the Best Supporting Actress Oscar and was launched into the celebrity A-list. She took little advantage of her newfound fame, choosing not to do any big-budget films for the next three years. Thurman would later star in Tarantino's two Kill Bill movies.
Bruce Willis as Butch Coolidge: Willis was a major star, but most of his recent films had been box-office disappointments. As described by Peter Bart, taking a role in the modestly budgeted film "meant lowering his salary and risking his star status, but the strategy...paid off royally: Pulp Fiction not only brought Willis new respect as an actor, but also earned him several million dollars as a result of his gross participation." Willis's appearance and physical presence were crucial to Tarantino's interest in casting him: "Bruce has the look of a 50s actor. I can't think of any other star that has that look."
Harvey Keitel as Winston Wolf or simply "The Wolf": The part was written specifically for Keitel, who had starred in Tarantino's Reservoir Dogs and was instrumental in getting it produced. In the filmmaker's words, "Harvey had been my favorite actor since I was 16 years old."[47] Keitel had played a character similarly employed as a "cleaner" in Point of No Return, released a year earlier.
Tim Roth as "Pumpkin" or "Ringo": Roth had starred in Reservoir Dogs alongside Keitel and was brought on board again. He had used an American accent in the earlier film, but uses his natural, London one in Pulp Fiction. Though Tarantino had written the part specifically with Roth in mind, TriStar head Mike Medavoy preferred Johnny Depp or Christian Slater.
Amanda Plummer as Yolanda or "Honey Bunny": Tarantino wrote the role for Plummer, specifically to partner Roth onscreen. Roth had introduced the actress and director, telling Tarantino, "I want to work with Amanda in one of your films, but she has to have a really big gun." Plummer followed up with director Michael Winterbottom's Butterfly Kiss, in which she plays a serial killer.
Maria de Medeiros as Fabienne: Butch's girlfriend. Tarantino met the Portuguese actress while traveling with Reservoir Dogs around the European film festival circuit. She had previously costarred with Thurman in Henry & June (1990), playing Anaïs Nin.
Ving Rhames as Marsellus Wallace: Before Rhames was cast, the part was offered to Sid Haig, who had appeared in many classic exploitation movies of the 1970s. Haig passed on the role. According to Bender, Rhames gave "one of the best auditions I've ever seen." His acclaimed performance led to his being cast in big-budget features such as Mission Impossible, Con Air, and Out of Sight.
Eric Stoltz as Lance: Vincent's drug dealer. Courtney Love later reported that Kurt Cobain was originally offered the role of Lance; if he had taken it, Love would have played the role of his wife. Tarantino, however, denies that he ever even met Cobain, much less offered him a role in the movie.
Rosanna Arquette as Jody: Lance's wife. Pam Grier read for the role, but Tarantino did not believe audiences would find it plausible for Lance to yell at her.Grier was later cast as the lead of Tarantino's Jackie Brown. Ellen DeGeneres also read for Jody.
Christopher Walken as Captain Koons: Walken appears in a single scene, devoted to the Vietnam veteran's monologue about the gold watch. In 1993, Walken had appeared in another small but pivotal role in the "Sicilian scene" in the Tarantino-written True Romance.
The film was nominated for seven Oscars, including Best Picture; Tarantino and Avary won for Best Original Screenplay. It was also awarded the Palme d'Or at the 1994 Cannes Film Festival. A major critical and commercial success, it revitalized the career of its leading man, John Travolta, who received an Academy Award nomination, as did costars Samuel L. Jackson and Uma Thurman.
Directed in a highly stylized manner, Pulp Fiction joins the intersecting storylines of Los Angeles mobsters, fringe players, small-time criminals, and a mysterious briefcase. Considerable screen time is devoted to conversations and monologues that reveal the characters' senses of humor and perspectives on life. The film's title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. Pulp Fiction is self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". The plot, as in many of Tarantino's other works, is presented out of chronological sequence.
The picture's self-reflexivity, unconventional structure, and extensive use of homage and pastiche have led critics to describe it as a prime example of postmodern film. Considered by some critics a black comedy, the film is also frequently labeled a "neo-noir". Critic Geoffrey O'Brien argues otherwise: "The old-time noir passions, the brooding melancholy and operatic death scenes, would be altogether out of place in the crisp and brightly lit wonderland that Tarantino conjures up. [It is] neither neo-noir nor a parody of noir".
Similarly, Nicholas Christopher calls it "more gangland camp than neo-noir", and Foster Hirsch suggests that its "trippy fantasy landscape" characterizes it more definitively than any genre label. Pulp Fiction is viewed as the inspiration for many later movies that adopted various elements of its style. The nature of its development, marketing, and distribution and its consequent profitability had a sweeping effect on the field of independent cinema (although it is not an independent film itself). Considered a cultural watershed, Pulp Fiction's influence has been felt in several other media.
John Travolta as Vincent Vega: Tarantino cast Travolta in Pulp Fiction only because Michael Madsen, who had a major role—Vic Vega—in Reservoir Dogs, chose to appear in Kevin Costner's Wyatt Earp instead. Madsen was still rueing his choice over a decade later. Harvey Weinstein pushed for Daniel Day-Lewis in the part. Travolta accepted a bargain rate for his services—sources claim either $100,000 or $140,000—but the film's success and his Oscar nomination as Best Actor revitalized his career. Travolta was subsequently cast in several hits including Get Shorty, in which he played a similar character, and the John Woo blockbuster Face/Off. In 2004, Tarantino discussed an idea for a movie starring Travolta and Madsen as the Vega brothers; the concept remains unrealized.
Samuel L. Jackson as Jules Winnfield: Tarantino had written the part with Jackson in mind, but the actor nearly lost it after his first audition was overshadowed by Paul Calderón's. Jackson assumed the audition was merely a reading. Harvey Weinstein convinced Jackson to audition a second time, and his performance of the final diner scene won over Tarantino. Jules was originally scripted with a giant afro, but Tarantino and Jackson agreed on the Jheri-curled wig seen in the film. (One reviewer took it as a "tacit comic statement about the ghettoization of blacks in movies".) Jackson received an Oscar nomination for Best Supporting Actor. Calderon appears in the movie as Paul, a bartender at Marsellus's social club.
Uma Thurman as Mia Wallace: Miramax favored Holly Hunter or Meg Ryan for the role. Alfre Woodard and Meg Tilly were also considered, but Tarantino wanted Thurman after their first meeting. She dominated most of the film's promotional material, appearing on a bed with cigarette in hand. She was nominated for the Best Supporting Actress Oscar and was launched into the celebrity A-list. She took little advantage of her newfound fame, choosing not to do any big-budget films for the next three years. Thurman would later star in Tarantino's two Kill Bill movies.
Bruce Willis as Butch Coolidge: Willis was a major star, but most of his recent films had been box-office disappointments. As described by Peter Bart, taking a role in the modestly budgeted film "meant lowering his salary and risking his star status, but the strategy...paid off royally: Pulp Fiction not only brought Willis new respect as an actor, but also earned him several million dollars as a result of his gross participation." Willis's appearance and physical presence were crucial to Tarantino's interest in casting him: "Bruce has the look of a 50s actor. I can't think of any other star that has that look."
Harvey Keitel as Winston Wolf or simply "The Wolf": The part was written specifically for Keitel, who had starred in Tarantino's Reservoir Dogs and was instrumental in getting it produced. In the filmmaker's words, "Harvey had been my favorite actor since I was 16 years old."[47] Keitel had played a character similarly employed as a "cleaner" in Point of No Return, released a year earlier.
Tim Roth as "Pumpkin" or "Ringo": Roth had starred in Reservoir Dogs alongside Keitel and was brought on board again. He had used an American accent in the earlier film, but uses his natural, London one in Pulp Fiction. Though Tarantino had written the part specifically with Roth in mind, TriStar head Mike Medavoy preferred Johnny Depp or Christian Slater.
Amanda Plummer as Yolanda or "Honey Bunny": Tarantino wrote the role for Plummer, specifically to partner Roth onscreen. Roth had introduced the actress and director, telling Tarantino, "I want to work with Amanda in one of your films, but she has to have a really big gun." Plummer followed up with director Michael Winterbottom's Butterfly Kiss, in which she plays a serial killer.
Maria de Medeiros as Fabienne: Butch's girlfriend. Tarantino met the Portuguese actress while traveling with Reservoir Dogs around the European film festival circuit. She had previously costarred with Thurman in Henry & June (1990), playing Anaïs Nin.
Ving Rhames as Marsellus Wallace: Before Rhames was cast, the part was offered to Sid Haig, who had appeared in many classic exploitation movies of the 1970s. Haig passed on the role. According to Bender, Rhames gave "one of the best auditions I've ever seen." His acclaimed performance led to his being cast in big-budget features such as Mission Impossible, Con Air, and Out of Sight.
Eric Stoltz as Lance: Vincent's drug dealer. Courtney Love later reported that Kurt Cobain was originally offered the role of Lance; if he had taken it, Love would have played the role of his wife. Tarantino, however, denies that he ever even met Cobain, much less offered him a role in the movie.
Rosanna Arquette as Jody: Lance's wife. Pam Grier read for the role, but Tarantino did not believe audiences would find it plausible for Lance to yell at her.Grier was later cast as the lead of Tarantino's Jackie Brown. Ellen DeGeneres also read for Jody.
Christopher Walken as Captain Koons: Walken appears in a single scene, devoted to the Vietnam veteran's monologue about the gold watch. In 1993, Walken had appeared in another small but pivotal role in the "Sicilian scene" in the Tarantino-written True Romance.
Thursday, July 28, 2011
Succes 2011: Astronaut Jeremy Hansen
Jeremy Roger Hansen, CD (born January 27, 1976 in London, Ontario) is a Canadian astronaut with the Canadian Space Agency (CSA). He was selected to join the CSA in the 2009 CSA selection along with David Saint-Jacques. Prior to his selection as one of Canada's newest astronauts, Hansen held the rank of Captain in the Canadian Forces, piloting the CF-18 fighter plane from deployment at CFB Cold Lake, Alberta.
Born January 27, 1976 in London, Ontario, and raised on a farm near Ailsa Craig, Ontario, until moving to Ingersoll for his high school years. Captain Hansen is married with 3 children.
Captain Hansen holds a Bachelor of Science degree in Space Science (First Class Honours) from Royal Military College in Kingston, Ontario (1999). He earned a Master of Science in Physics from the same institution in 2000, with a research focus on Wide Field of View Satellite Tracking.
Wednesday, July 27, 2011
Succes 2011: Vladimir Remek, the first Czechoslovak in space. The first cosmonaut from a country other than the Soviet Union or the United States
Vladimír Remek (born 26 September 1948) is the first Czechoslovak in space and the first cosmonaut from a country other than the Soviet Union or the United States. As of 2004, with the entry of the Czech Republic into the European Union Vladimír Remek is considered to be the first astronaut from the EU. He flew aboard Soyuz 28 from March 2nd to March 10th 1978, for seven days, 22 hours, and 17 minutes. In 2004 he was elected into the European Parliament.
Vladimír Remek was born in České Budějovice to Czech mother and Slovak father. His father, Jozef Remek, was Lieutenant General of the Czechoslovak army (1973-75 deputy of the Minister of Defense responsible for air force and air defense, 1976-89 commander of the air force). In 1970 Vladimír Remek became military pilot. In 1976 he finished a military air force academy.
Remek joined the Intercosmos program in 1976; his backup was Oldřich Pelčák. After the flight, on March 16, 1978, he and Aleksei Gubarev, the other member of the crew, were awarded the title Hero of the Soviet Union.
In 1990 he became director of the Military Museum for Aviation and Astronautics in Prague, since 1995 he worked as a sales representative for the company ČZ in Moscow, since 2002 he served at the Czech embassy in Russia.
During the 2004 European Parliament election Remek was an independent candidate for the Communist Party of Bohemia and Moravia and, being second on the list, was elected into the European Parliament. He was elected again into the European Parliament in 2009 European Parliament election.
The asteroid 2552 Remek is named after him.
Vladimír Remek was born in České Budějovice to Czech mother and Slovak father. His father, Jozef Remek, was Lieutenant General of the Czechoslovak army (1973-75 deputy of the Minister of Defense responsible for air force and air defense, 1976-89 commander of the air force). In 1970 Vladimír Remek became military pilot. In 1976 he finished a military air force academy.
Remek joined the Intercosmos program in 1976; his backup was Oldřich Pelčák. After the flight, on March 16, 1978, he and Aleksei Gubarev, the other member of the crew, were awarded the title Hero of the Soviet Union.
In 1990 he became director of the Military Museum for Aviation and Astronautics in Prague, since 1995 he worked as a sales representative for the company ČZ in Moscow, since 2002 he served at the Czech embassy in Russia.
During the 2004 European Parliament election Remek was an independent candidate for the Communist Party of Bohemia and Moravia and, being second on the list, was elected into the European Parliament. He was elected again into the European Parliament in 2009 European Parliament election.
The asteroid 2552 Remek is named after him.
Saturday, July 23, 2011
RIP Amy Winehouse
Amy Jade Winehouse (14 September 1983 – 23 July 2011 in London) was an English singer-songwriter known for her powerful contralto vocals and her eclectic mix of musical genres including R&B, soul and jazz.
Winehouse's 2003 debut album, Frank, was critically successful in the UK and was nominated for the Mercury Prize. Her 2006 follow-up album, Back to Black, led to six Grammy Award nominations and five wins, tying the then record for the most wins by a female artist in a single night, and made Winehouse the first British female to win five Grammys, including three of the "Big Four": Best New Artist, Record of the Year and Song of the Year. On 14 February 2007, she won a BRIT Award for Best British Female Artist; she had also been nominated for Best British Album. She won the Ivor Novello Award three times, one in 2004 for Best Contemporary Song (musically and lyrically) for "Stronger Than Me", one in 2007 for Best Contemporary Song for "Rehab", and one in 2008 for Best Song Musically and Lyrically for "Love Is a Losing Game", among other distinctions. The album was the third biggest seller of the 2000s in the United Kingdom.
Winehouse was credited as an influence in the rise in popularity of female musicians and soul music, and also for revitalising British music. Winehouse's distinctive style made her a muse for fashion designers such as Karl Lagerfeld. Winehouse's problems with drug and alcohol abuse, and her self-destructive behaviours were regular tabloid news from 2007 until her death. She and her former husband, Blake Fielder-Civil, were plagued by legal troubles that left him serving prison time. In 2008, Winehouse faced a series of health complications that threatened both her career and her life.
Winehouse died at the age of 27 on 23 July 2011 at her home in London; police have said that the cause of her death was "as yet unexplained".
Winehouse was born in the Southgate area of north London to a Jewish family, who were influential toward her interest in jazz. Winehouse was the younger of two children (older brother Alex) of Mitchell Winehouse, a taxi driver, and Janis Winehouse (née Seaton), a pharmacist. Mitchell often sang Frank Sinatra songs to young Amy, who also took to a constant habit of singing to the point that teachers found it difficult keeping her quiet in class.
When Winehouse was nine years old, her grandmother, Cynthia, suggested she attend the Susi Earnshaw Theatre School for further training. At age ten, Winehouse founded a short-lived rap group called Sweet 'n' Sour with childhood friend Juliette Ashby. She stayed at the Earnshaw school for four years before seeking full time training at Sylvia Young Theatre School, but was allegedly expelled at 14 for "not applying herself" and for piercing her nose. With other children from the Sylvia Young School, she appeared in an episode of The Fast Show in 1997. She later attended the BRIT School in Selhurst, Croydon and attended Southgate School and Ashmole School.
Winehouse's debut album, Frank, was released on 20 October 2003. Produced mainly by Salaam Remi, many songs were influenced by jazz and, apart from two covers, every song was co-written by Winehouse. The album received positive reviews with compliments over the "cool, critical gaze" in its lyrics and brought comparisons of her voice to Sarah Vaughan, Macy Gray and others.
The album entered the upper levels of the UK album chart in 2004 when it was nominated for BRIT Awards in the categories of "British Female Solo Artist" and "British Urban Act". It went on to achieve platinum sales. Later in 2004, she won the Ivor Novello (songwriting) Award for Best Contemporary Song, alongside Salaam Remi, with her contribution to the first single, "Stronger Than Me". The album also made the short list for the 2004 Mercury Music Prize. In the same year, she performed at the Glastonbury Festival, the V Festival, the Montreal International Jazz Festival (7 July 2004, at the Club Soda), and on the Jazzworld stage. After the release of the album, Winehouse commented that she was "only 80 percent behind [the] album" because of the inclusion by her record label of certain songs and mixes she disliked.
In contrast to her jazz-influenced former album, Winehouse's focus shifted to the girl groups of the 1950s and 1960s. Winehouse hired New York singer Sharon Jones's longtime band, the Dap-Kings to back her up in the studio and on tour. In May 2006, Winehouse's demonstration tracks such as "You Know I'm No Good" and "Rehab" appeared on Mark Ronson's New York radio show on East Village Radio. These were some of the first new songs played on the radio after the release of "Pumps" and both were slated to appear on her second album. The 11-track album was produced entirely by Salaam Remi and Ronson, with the production credits being split between them.
Ronson said in a 2010 interview that he liked working with Winehouse because she was blunt when she did not like his work. Promotion of Back to Black soon began and, in early October 2006, Winehouse's official website was relaunched with a new layout and clips of previously unreleased songs. Back to Black was released in the UK on 30 October 2006. It went to number one on the UK Albums Chart numerous times, and entered at number seven on the Billboard 200 in the United States. It was the best-selling album in the UK in 2007, selling 1.85 million copies over the year.
The album spawned a number of singles. The first single released from the album was the Ronson-produced "Rehab". The song reached the top ten in the UK and the US. Time magazine named "Rehab" the Best Song of 2007. Writer Josh Tyrangiel praised Winehouse for her confidence, saying, "What she is is mouthy, funny, sultry, and quite possibly crazy" and "It's impossible not to be seduced by her originality. Combine it with production by Mark Ronson that references four decades worth of soul music without once ripping it off, and you've got the best song of 2007." The album's second single and lead single in the US, "You Know I'm No Good", was released in January 2007 with a remix featuring rap vocals by Ghostface Killah. It ultimately reached number 18 on the UK singles chart. The title track, "Back to Black", was released in the UK in April 2007 and peaked at number 25, but was more successful across mainland Europe. "Tears Dry on Their Own", "Love Is a Losing Game" and "Just Friends" were also released as singles, but failed to achieve the same level of success.
A deluxe edition of Back to Black was also released on 5 November 2007 in the UK. The bonus disc features B-sides, rare, and live tracks, as well as "Valerie". Winehouse's debut DVD I Told You I Was Trouble: Live in London was released the same day in the UK and 13 November in the US. It includes a live set recorded at London's Shepherds Bush Empire. Frank was released in the United States on 20 November 2007 to positive reviews. The album debuted at number 61 on the Billboard 200 chart.
In addition to her own album, she collaborated with other artists on singles. Winehouse was a vocalist on the song "Valerie" on Ronson's solo album Version. The song peaked at number two in the UK, upon its October single release. The song was nominated for a 2008 Brit Award for "Best British Single". Her work with ex-Sugababe Mutya Buena, "B Boy Baby", was released on 17 December 2007. It served as the fourth single from Buena's solo debut album, Real Girl.
Winehouse and Mark Ronson contributed a cover of Lesley Gore's "It's My Party" to the Quincy Jones tribute album Q Soul Bossa Nostra released 9 November 2010. Winehouse and drummer ?uestlove of the Roots had agreed to form a group. Winehouse's problems obtaining a visa delayed the still unnamed group from working together. Producer Salaam Remi has already created some material with Winehouse as part of the project. According to a newspaper report, Universal Music pressed her regarding new material in 2008. According to that same report Winehouse as of 2 September had not been near a recording studio. It was noted that she had touring obligations during the summer and also that if an album was quickly recorded, it would be at least a year before an album could be released. In late October, Winehouse's spokesman was quoted as saying that Winehouse had not been given a deadline to complete her third album, for which she was learning to play drums.
During her 2009 stay in Saint Lucia Winehouse worked on new music with producer Salaam Remi. It was claimed by Island that a new album would be due in 2010, Island co-president Darcus Beese said, "I've heard a couple of song demos that have absolutely floored me". In July 2010 Winehouse was quoted as saying her next album would be released no later than January 2011, saying "It’s going to be very much the same as my second album, where there's a lot of jukebox stuff and songs that are... just jukebox, really." Mark Ronson said in July 2010 that he had not started to record the album.
American singer Tony Bennett recorded a song with Winehouse for his forthcoming album, Duets II, which is scheduled for release on 20 September 2011.
At 3:54 pm BST (14:54 UTC) on 23 July 2011, two ambulances were called to Winehouse's home in Camden, London Shortly afterwards, the Metropolitan Police confirmed that she had died. As of 24 July, the investigation to determine the cause of death, which is described by police as unexplained, is still ongoing.After her death was announced, media and camera crews appeared as crowds gathered near Winehouse’s residence to pay their respects. Forensic investigators entered the flat as police cordoned off the street outside.
Fans and celebrities across the globe quickly began posting their reactions to Winehouse's sudden death on Twitter and other social networks. Winehouse's record label, Universal Republic, released a statement that read in part: "We are deeply saddened at the sudden loss of such a gifted musician, artist and performer."
Winehouse's 2003 debut album, Frank, was critically successful in the UK and was nominated for the Mercury Prize. Her 2006 follow-up album, Back to Black, led to six Grammy Award nominations and five wins, tying the then record for the most wins by a female artist in a single night, and made Winehouse the first British female to win five Grammys, including three of the "Big Four": Best New Artist, Record of the Year and Song of the Year. On 14 February 2007, she won a BRIT Award for Best British Female Artist; she had also been nominated for Best British Album. She won the Ivor Novello Award three times, one in 2004 for Best Contemporary Song (musically and lyrically) for "Stronger Than Me", one in 2007 for Best Contemporary Song for "Rehab", and one in 2008 for Best Song Musically and Lyrically for "Love Is a Losing Game", among other distinctions. The album was the third biggest seller of the 2000s in the United Kingdom.
Winehouse was credited as an influence in the rise in popularity of female musicians and soul music, and also for revitalising British music. Winehouse's distinctive style made her a muse for fashion designers such as Karl Lagerfeld. Winehouse's problems with drug and alcohol abuse, and her self-destructive behaviours were regular tabloid news from 2007 until her death. She and her former husband, Blake Fielder-Civil, were plagued by legal troubles that left him serving prison time. In 2008, Winehouse faced a series of health complications that threatened both her career and her life.
Winehouse died at the age of 27 on 23 July 2011 at her home in London; police have said that the cause of her death was "as yet unexplained".
Winehouse was born in the Southgate area of north London to a Jewish family, who were influential toward her interest in jazz. Winehouse was the younger of two children (older brother Alex) of Mitchell Winehouse, a taxi driver, and Janis Winehouse (née Seaton), a pharmacist. Mitchell often sang Frank Sinatra songs to young Amy, who also took to a constant habit of singing to the point that teachers found it difficult keeping her quiet in class.
When Winehouse was nine years old, her grandmother, Cynthia, suggested she attend the Susi Earnshaw Theatre School for further training. At age ten, Winehouse founded a short-lived rap group called Sweet 'n' Sour with childhood friend Juliette Ashby. She stayed at the Earnshaw school for four years before seeking full time training at Sylvia Young Theatre School, but was allegedly expelled at 14 for "not applying herself" and for piercing her nose. With other children from the Sylvia Young School, she appeared in an episode of The Fast Show in 1997. She later attended the BRIT School in Selhurst, Croydon and attended Southgate School and Ashmole School.
Winehouse's debut album, Frank, was released on 20 October 2003. Produced mainly by Salaam Remi, many songs were influenced by jazz and, apart from two covers, every song was co-written by Winehouse. The album received positive reviews with compliments over the "cool, critical gaze" in its lyrics and brought comparisons of her voice to Sarah Vaughan, Macy Gray and others.
The album entered the upper levels of the UK album chart in 2004 when it was nominated for BRIT Awards in the categories of "British Female Solo Artist" and "British Urban Act". It went on to achieve platinum sales. Later in 2004, she won the Ivor Novello (songwriting) Award for Best Contemporary Song, alongside Salaam Remi, with her contribution to the first single, "Stronger Than Me". The album also made the short list for the 2004 Mercury Music Prize. In the same year, she performed at the Glastonbury Festival, the V Festival, the Montreal International Jazz Festival (7 July 2004, at the Club Soda), and on the Jazzworld stage. After the release of the album, Winehouse commented that she was "only 80 percent behind [the] album" because of the inclusion by her record label of certain songs and mixes she disliked.
In contrast to her jazz-influenced former album, Winehouse's focus shifted to the girl groups of the 1950s and 1960s. Winehouse hired New York singer Sharon Jones's longtime band, the Dap-Kings to back her up in the studio and on tour. In May 2006, Winehouse's demonstration tracks such as "You Know I'm No Good" and "Rehab" appeared on Mark Ronson's New York radio show on East Village Radio. These were some of the first new songs played on the radio after the release of "Pumps" and both were slated to appear on her second album. The 11-track album was produced entirely by Salaam Remi and Ronson, with the production credits being split between them.
Ronson said in a 2010 interview that he liked working with Winehouse because she was blunt when she did not like his work. Promotion of Back to Black soon began and, in early October 2006, Winehouse's official website was relaunched with a new layout and clips of previously unreleased songs. Back to Black was released in the UK on 30 October 2006. It went to number one on the UK Albums Chart numerous times, and entered at number seven on the Billboard 200 in the United States. It was the best-selling album in the UK in 2007, selling 1.85 million copies over the year.
The album spawned a number of singles. The first single released from the album was the Ronson-produced "Rehab". The song reached the top ten in the UK and the US. Time magazine named "Rehab" the Best Song of 2007. Writer Josh Tyrangiel praised Winehouse for her confidence, saying, "What she is is mouthy, funny, sultry, and quite possibly crazy" and "It's impossible not to be seduced by her originality. Combine it with production by Mark Ronson that references four decades worth of soul music without once ripping it off, and you've got the best song of 2007." The album's second single and lead single in the US, "You Know I'm No Good", was released in January 2007 with a remix featuring rap vocals by Ghostface Killah. It ultimately reached number 18 on the UK singles chart. The title track, "Back to Black", was released in the UK in April 2007 and peaked at number 25, but was more successful across mainland Europe. "Tears Dry on Their Own", "Love Is a Losing Game" and "Just Friends" were also released as singles, but failed to achieve the same level of success.
A deluxe edition of Back to Black was also released on 5 November 2007 in the UK. The bonus disc features B-sides, rare, and live tracks, as well as "Valerie". Winehouse's debut DVD I Told You I Was Trouble: Live in London was released the same day in the UK and 13 November in the US. It includes a live set recorded at London's Shepherds Bush Empire. Frank was released in the United States on 20 November 2007 to positive reviews. The album debuted at number 61 on the Billboard 200 chart.
In addition to her own album, she collaborated with other artists on singles. Winehouse was a vocalist on the song "Valerie" on Ronson's solo album Version. The song peaked at number two in the UK, upon its October single release. The song was nominated for a 2008 Brit Award for "Best British Single". Her work with ex-Sugababe Mutya Buena, "B Boy Baby", was released on 17 December 2007. It served as the fourth single from Buena's solo debut album, Real Girl.
Winehouse and Mark Ronson contributed a cover of Lesley Gore's "It's My Party" to the Quincy Jones tribute album Q Soul Bossa Nostra released 9 November 2010. Winehouse and drummer ?uestlove of the Roots had agreed to form a group. Winehouse's problems obtaining a visa delayed the still unnamed group from working together. Producer Salaam Remi has already created some material with Winehouse as part of the project. According to a newspaper report, Universal Music pressed her regarding new material in 2008. According to that same report Winehouse as of 2 September had not been near a recording studio. It was noted that she had touring obligations during the summer and also that if an album was quickly recorded, it would be at least a year before an album could be released. In late October, Winehouse's spokesman was quoted as saying that Winehouse had not been given a deadline to complete her third album, for which she was learning to play drums.
During her 2009 stay in Saint Lucia Winehouse worked on new music with producer Salaam Remi. It was claimed by Island that a new album would be due in 2010, Island co-president Darcus Beese said, "I've heard a couple of song demos that have absolutely floored me". In July 2010 Winehouse was quoted as saying her next album would be released no later than January 2011, saying "It’s going to be very much the same as my second album, where there's a lot of jukebox stuff and songs that are... just jukebox, really." Mark Ronson said in July 2010 that he had not started to record the album.
American singer Tony Bennett recorded a song with Winehouse for his forthcoming album, Duets II, which is scheduled for release on 20 September 2011.
At 3:54 pm BST (14:54 UTC) on 23 July 2011, two ambulances were called to Winehouse's home in Camden, London Shortly afterwards, the Metropolitan Police confirmed that she had died. As of 24 July, the investigation to determine the cause of death, which is described by police as unexplained, is still ongoing.After her death was announced, media and camera crews appeared as crowds gathered near Winehouse’s residence to pay their respects. Forensic investigators entered the flat as police cordoned off the street outside.
Fans and celebrities across the globe quickly began posting their reactions to Winehouse's sudden death on Twitter and other social networks. Winehouse's record label, Universal Republic, released a statement that read in part: "We are deeply saddened at the sudden loss of such a gifted musician, artist and performer."
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