Monday, November 21, 2011

Succes 2011: Johan Cruyff, three times winner of the Ballon d'Or, in 1971, 1973 and 1974. The most famous exponent of the football philosophy known as Total Football

Hendrik Johannes Cruijff, known as Johan Cruyff, is a retired Dutch footballer and is currently the manager of the Catalan national team as well as a member of the AFC Ajax board of directors. He won the Ballon d'Or three times, in 1971, 1973 and 1974, which is a record jointly held with Michel Platini and Marco van Basten. Cruyff was one of the most famous exponents of the football philosophy known as Total Football explored by Rinus Michels, and is widely regarded as one of the greatest players of all time.
After his retirement from playing in 1984, Cruyff became highly successful as manager of Ajax and later FC Barcelona; he remains an influential advisor to both clubs. His son Jordi has also gone on to play football professionally.
In 1999, Cruyff was voted European Player of the Century in an election held by the IFFHS, and came second behind Pelé in their World Player of the Century poll.He came third in a vote organised by the French weekly magazine France Football consulting their former Ballon d'Or winners to elect their Football Player of the Century.

Ajax

Cruyff joined Ajax youth system on his 10th birthday. He made his first team debut on 15 November 1964 in the Eredivisie, against GVAV, scoring the only goal for Ajax in a 3–1 defeat. That year Ajax finished in their lowest position since the establishment of professional football, 13th. Cruyff really started to make an impression in the 1965–66 season. Cruyff established himself as a regular first team player after scoring two goals against Door Wilskracht Sterk in the Olympic stadion on 24 October 1965 (in a 2–0 victory). In the seven games that winter he scored eight times and in March 1966, he scored the first three goals in a league game against Telstar (6–2 win). Four days later, in a cup game against Veendam (7–0 win), he scored four goals. In total that season, Cruyff scored 25 goals in 23 games, and Ajax won the league championship.
In the 1966–67 season, Ajax again won the league championship, but also won the KNVB Cup, for Cruyff's first "double." Cruyff ended the season as the leading goalscorer in the Eredivisie with 33.
Cruyff won the league for the third successive year in the 1967–68 season. He was also named Dutch footballer of the year for the second successive time, a feat he would repeat in 1969. On 28 May 1969, Cruyff played in his first European Cup final against Milan, but the Italian team ended up winning 4–1.
In the 1969–70 season, Cruyff won his second league and cup "double," but at the beginning of the 1970–71 season, Cruyff suffered a long-term groin injury. He made his comeback on 30 October 1970 against PSV. In this game, he did not wear his usual number 9, which was in use by Gerrie Mühren, but instead used number 14. Ajax won 1–0. Although it was very uncommon in those days for the starters of a game not to play with numbers 1 to 11, from that moment onwards, Cruyff's number was 14, even using the number with the Dutch national team. There has even been a documentary on Cruyff titled Nummer 14 Johan Cruyff[10] and in his native Holland there is a magazine by Voetbal International titled "Nummer 14".
In a league game against AZ '67 on 29 November 1970, Cruyff scored no less than six goals in an 8–1 victory. After winning a replayed KNVB Cup final against Sparta Rotterdam by a score of 2–1, Ajax won in Europe for the first time. On 2 June 1971, in London, Ajax won the European Cup by defeating Panathinaikos 2–0. In spite of speculation that Cruyff would move to another club (Feyenoord and Barcelona were interested) on 12 July 1971, he signed a seven-year contract at Ajax. At the end of the season, he became not only the Dutch, but also the European Footballer of the Year for 1971.
1972 was a particular successful year for Ajax and Cruyff. Ajax won a second European Cup, beating Internazionale 2–0 in the final, with Cruyff scoring both goals. This victory prompted Dutch newspapers to announce the demise of the Italian style of defensive football in the face of Total Football. Soccer: The Ultimate Encyclopaedia says: "Single-handed, Cruyff not only pulled Internazionale of Italy apart in the 1972 European Cup Final, but scored both goals in Ajax's 2–0 win." Cruyff also scored in the 3–2 victory over ADO Den Haag in the KNVB Cup final. In the league, Cruyff was the top scorer with 25 goals as Ajax became champions. In the autumn, Ajax won the Intercontinental Cup, beating Argentina's Independiente (1–1 and 3–0) and then in January 1973, they won the European Super Cup by beating Rangers 3–1 away and 3–2 in Amsterdam. Curiously, Cruyff's only own goal came on 20 August 1972 against FC Amsterdam. A week later, against Go Ahead Eagles (6–0), Cruyff scored four times for Ajax. The 1972–73 season was concluded with the another league championship victory and a third successive Europe Cup (Ajax — Juventus 1–0).
In the summer of 1973, Cruyff was sold to Barcelona for 60 million guilder (approx. US$ 20 million, c. 1973). On 19 August 1973, he played his last match for Ajax (Ajax — Amsterdam 6–1), the 2nd match of the 1973–74 season.

Barcelona

At Barcelona, Cruyff quickly won over the Barça fans when he told the European press he chose Barça over Real Madrid because he could not play for a club associated with the Spanish dictator Francisco Franco.He further endeared himself when he chose a Catalan name Jordi for his son. He helped the club win La Liga for the first time since 1960, along the way defeating Real Madrid 5–0 at their home of Bernabéu. He was also crowned European Footballer of the Year.
During his time at Barcelona, Cruyff scored one of his most famous goals, The 'Phantom' Goal. In a game against Atlético Madrid, Cruyff leapt into the air, twisted his body so he was facing away from the goal, and kicked the ball past Miguel Reina in the Atlético Madrid goal with his right heel (the ball was at about neck height and had already travelled wide of the far post). The goal was featured in the documentary En un momento dado, in which fans of Cruyff attempted to recreate that moment. The goal has been dubbed Le but impossible de Cruyff (Cruyff's impossible goal).
Note that Cruyff played two games with Paris Saint-Germain in 1975 during the Paris tournament. He had only agreed because he was a fan of designer Daniel Hechter, who was then president of PSG.

United States

At the age of 32, he signed a lucrative deal with the Los Angeles Aztecs of the North American Soccer League (NASL). He had previously been rumored to be joining the New York Cosmos but the deal did not materialize. However, he did play exhibition games for the Cosmos. He stayed at the Aztecs for only one season, but was voted NASL Player of the Year in that time. The following season, he moved to play for the Washington Diplomats. He played the whole 1980 campaign for the Diplomats, even as the team was facing dire financial trouble at the time. In May 1981, Cruyff played as a guest player for Milan in a tournament, but was injured. As a result, he missed the beginning of the 1981 NASL soccer season thereafter, which ultimately led to Cruyff choosing to leave the team.

Levante

In January 1981, Cruyff played three friendly matches for FC Dordrecht. Also in January 1981, manager Jock Wallace of English club Leicester City made an audacious attempt to sign Cruyff. Despite negotiations lasting three weeks, in which Cruyff expressed his desire to play for the club, a deal could not be reached as he instead chose to sign with Spanish Segunda Division side Levante. In March 1981, Cruyff took the field for the first time for Levante. Injuries and disagreements with the administration of the club would blight his spell in the Segunda Division, as he was only able to amount 10 appearances after his signing, scoring two goals. Having failed to secure promotion to the first division, Levante did not keep the financial agreements that were specified in Cruyff's contract.

After his spell in the USA and a short-lived stay at UD Levante in Spain, Cruyff returned to play in his homeland, rejoining Ajax on 30 November 1980 as "technical advisor" of trainer Leo Beenhakker, Ajax being 8th in the ranking of the table of the Dutch League then after 13 games. Ajax would finish 2nd in 1980–81 in June 1981 after 34 games. In December 1981, Cruyff signed a new contract as player for Ajax. His already since November 1980 expected return was on 6 December 1981 against Haarlem (4–1 home win), Cruyff scored the first goal. In the 1981–82 and 1982–83 seasons, Ajax, along with Cruyff, became league champions. In the 1982–83 season, Ajax also won the Dutch Cup (KNVB-Beker). One notable incident from this era was a famous goal he scored against Helmond Sport in 1982 while playing for Ajax. Cruyff scored a penalty the same way Rik Coppens had already done it 25 years earlier. He put the ball down as for a routine penalty kick, but instead of shooting at goal, Cruyff nudged the ball sideways to his Ajax teammate Jesper Olsen who in return passed it back to Cruyff who tapped the ball into the empty net, as Otto Versfeld, the bemused Helmond goalkeeper, looked on.

Feyenoord

At the end of the 1982–83 season, Ajax decided not to offer Cruyff a new contract. This angered Cruyff, who responded by signing for Ajax's archrivals Feyenoord. Cruyff's season at Feyenoord was a successful one in which the club won the Eredivisie for the first time in a decade, part of a league and KNVB Cup double. He ended his Eredivisie playing career on May 13, 1984 with a goal against PEC Zwolle. In his last season as a player, he was voted footballer of the year. Cruyff played his last game in Saudi Arabia, bringing Feyenoord back into the game with a goal and an assist.

International career

As a Dutch international, Cruyff played 48 matches, scoring 33 goals. The national team never lost a match in which Cruyff scored. In his second Dutch national team match, a friendly against Czechoslovakia, Cruyff was the first Dutch international to receive a red card. He received a one-year suspension from the Royal Dutch Football Association.
Accusations of Cruyff's "aloofness" were not rebuffed by his habit of wearing a shirt with only two black stripes along the sleeves, as opposed to Adidas' usual design feature of three, worn by all the other Dutch players. Cruyff, however, had a separate sponsorship deal with Puma.

Cruyff led the Netherlands to a runners-up medal in the 1974 World Cup and was named the player of the tournament. Thanks to his team's mastery of Total Football, they coasted all the way to the final, knocking out Argentina (4–0), East Germany (2–0), and Brazil (2–0) along the way. Cruyff himself scored twice against Argentina in one of his team's most dominating performances, then he scored the second goal against Brazil to knock out the defending champions. The Netherlands faced hosts West Germany in the final. Cruyff kicked off and the ball was passed around the Oranje team 13 times before returning to Cruyff, who then went on a rush that eluded Berti Vogts and ended when he was fouled by Uli Hoeneß inside the box. Teammate Johan Neeskens scored from the spot kick to give the Netherlands a 1–0 lead, and the Germans had not even touched the ball. Only during the latter half of the final was his playmaking influence stifled by the effective marking of Berti Vogts, while Franz Beckenbauer, Uli Hoeneß, and Wolfgang Overath dominated the midfield, enabling West Germany to win 2–1. Cruyff received a yellow card during half time for talking to the referee.
Cruyff retired from international football in October 1977, having helped the national team qualify for the upcoming World Cup. Without him, the Netherlands finished runners-up in the World Cup again. Initially the reason given for missing the 1978 World Cup were political reasons given a military dictatorship was in power in Argentina at that time. In 2008, however, Cruyff stated to the journalist Antoni Bassas in Catalunya Ràdio that he and his family were involved in a kidnap attempt in Barcelona a year before the tournament, and that this had caused his retirement. "To play a World Cup you have to be 200% okay, there are moments when there are other values in life."

Monday, November 14, 2011

Succes 2011: Chesney Hawkes

Chesney Lee Hawkes (born 22 September 1971), is an English pop singer, songwriter, and occasional actor. He is best known for his 1991 single "The One and Only", which topped the charts in the UK and reached the Top 10 in the U.S.

Hawkes was born in Windsor, Berkshire, to Carol (née Dilworth) and Leonard Hawkes, he attended Charters School in Sunningdale. Chesney was named after the singer and comedian, Chesney Allen. His father is the singer Len 'Chip' Hawkes, formerly with the 1960s band The Tremeloes. His mother is former actress/game show hostess, Carol Dilworth (who appeared in an episode of the 1960s version of Randall and Hopkirk (Deceased) called "For The Girl Who Has Everything"). Keely Hawkes, his sister, was the lead singer of '90s band Transister, and is currently a songwriter based in Los Angeles.

Hawkes' career began at 19, when he appeared as the title character in the film Buddy's Song. In March 1991, he released his biggest single "The One and Only," from the film's soundtrack. Written By Nik Kershaw, the song was later featured in the opening credits of Doc Hollywood (1991), starring Michael J. Fox; in the 2009 movie Moon, as the song Sam Rockwell wakes up to every morning; and again in the 2011 film Source Code (also directed by Moon director Duncan Jones) as the cell phone ringtone of Michelle Monaghan's character. The single spent five weeks at number one. He has released eight singles including "I'm a Man Not a Boy" and "Another Fine Mess".

In 1993, his single "What's Wrong With This Picture?" reached number 63 in the UK, and his 2002 collaboration with Adam Schlesinger of Fountains of Wayne, "Stay Away Baby Jane", reached number 74 in the UK Singles Chart.
Hawkes returned to the media's attention with his involvement in Channel 4's The Games in March 2005, in which he won a Bronze Medal. He also took part in the ITV programme Hit Me Baby One More Time in April that year. He released a single called "Another Fine Mess" in May 2005, it reached number 48; it was his biggest-selling single for over a decade. The following album of the same title featured fifteen songs written by Hawkes.
Hawkes was involved in a project called the Lexus Symphony Orchestra, a corporate promotion designed to showcase the quality of Lexus' in-car audio systems. Hawkes composed two original pieces of music performed by the London Symphony Orchestra for these events held at Castle Howard and Crystal Palace, in August 2007.

Hawkes was confirmed to appear in new musical, Can't Smile Without You (featuring songs of Barry Manilow). In the show, Hawkes plays the part of Tony Lowiman who falls in love with a girl called Mandy when he visits New York. Things take a turn for the worse when Tony is brutally attacked one night outside a club. The musical includes over 40 Barry Manilow songs. National tour started at the Liverpool Empire Theatre on 15 September 2008 prior to performances in the West End.

Hawkes appeared briefly in a cherry picker on Celebrity Big Brother (shown on 8 January 2009) on Channel Four. "The One and Only" was used as a cue to have contestants worship at a Chesney Hawkes shrine. While other contestants were required to be paparazzi who had to take photos of any celebrities that appear in the cherry picker which was raised above the house compound wall.
Entrepreneur Duncan Bannatyne is a fan and Hawkes performed as a surprise at his birthday party.
In January 2011, Hawkes performed at the live finale of Louie Spence's Showbusiness, which will be broadcast at the end of the current series.

During February and March 2011, he took part in the BBC series Let's Dance For Comic Relief.
Chesney now performs a mixture of his own material and covers at University Freshers week. He still receives the best applause for "the one and only".

In May 2011, Hawkes took part in the ITV series Sing If You Can.
In September 2011 Chesney appeared as Joseph in Milton Morrissey's new production of Joseph and his Amazing Technicolor Dreamcoat, premiering in Guernsey. The production team included James Milton, Paul Morrissey, Andy Smith and Nick Winston and gained critical acclaim locally.

Tuesday, November 8, 2011

Succes 2011: Bill & Gayle Newman, the closest witnesses to President John F. Kennedy when he was assassinated by rifle fire in Dealey Plaza, Dallas, Texas

William and Gayle Newman, who were both 22 years old on November 22, 1963, were probably the closest witnesses to President John F. Kennedy when he was assassinated by rifle fire in Dealey Plaza, Dallas, Texas.

The Newmans and their two young boys were standing at the curb on the north side of Elm Street when they became witnesses to one of the most horrific and most-talked-about events in world history--the murder of President Kennedy.
Bill Newman said that he thought the shot came from the top of the "knoll", or "mall". Some think he has given its name to the famous "Grassy Knoll", but it seems than reporter Merriman Smith has done it (see The Man Who Named the Grassy Knoll).


Later, he was to be a prosecution witness during Clay Shaw's trial, in New Orleans.

Both Bill and Gayle Newman were convinced that at least some of the shots were coming from behind them they both fell to the ground with their children in order to protect themselves. Despite being no more than a few feet away from the presidential limousine at the time of the shots, neither Bill nor Gayle Newman was called to testify before the Warren Commission. This was because Bill is convinced that this is because he had said in a Sheriff's Department statement of 22nd November 1963 that " ... it seemed  that we were in  direct path of fire" and "I thought the shot had come from the garden directly behind me."

Monday, November 7, 2011

Succes 2011: Keith Tippett, jazz living legend

Keith Tippett (originally Keith Graham Tippetts, born 25 August 1947, in Bristol) is a British jazz pianist and composer.
Tippett, the son of a local police officer, went to Greenway Boys Secondary Modern school in Southmead, Bristol. He formed his first jazz band called The KT7 whilst still at school and they performed numbers popular at the time by The Temperance Seven. In the late 1960s, he led a sextet featuring Elton Dean on saxophone, Mark Charig on trumpet and Nick Evans on trombone. Tippett married singer Julie Driscoll and wrote scores for TV.
In the early 1970s, his big band Centipede brought together much of a generation of young British jazz and rock musicians. As well as performing some concerts (limited economically by the size of the band), they recorded one double-album, Septober Energy.
He formed, with Harry Miller and Louis Moholo a formidable rhythm section at the centre of some the most exciting combinations in the country, including the Elton Dean quartet, and Elton Dean's Ninesense. Around the same time, he was also in the vicinity of King Crimson, contributing piano to several of their records including Cat Food (and even appearing with them on Top of the Pops). His own groups, such as Ovary Lodge tended towards a more contemplative form of European free improvisation. He continues to perform with the improvising ensemble Mujician and more recently (2006) Work in Progress.
Tippett has appeared and recorded in a wide variety of settings, including a duet with Stan Tracey, duets with his wife Julie Tippetts, solo performances, and appeared on three King Crimson Albums.

Sunday, November 6, 2011

Succes 2011: Lucélia Santos, brazilian actress, director and producer famous for her leading role in the 1976 Rede Globo telenovela Escrava Isaura, broadcast in over 80 countries

Lucélia Santos (born May 20, 1957) is a Brazilian actress, director and producer. She received international acclaim for her leading role in the 1976 Rede Globo telenovela Escrava Isaura, broadcast in over 80 countries.
Maria Lucélia dos Santos was born in Santo André, São Paulo, to Maurílio Simões dos Santos and Maria Moura dos Santos. Her parents were both blue collar workers. She was two siblings: Maurílio Wagner and Cristina Santos, also an actress.
At age 9, Lucélia heard actress Cacilda Becker on the radio calling children to do an audition for a role in one of her plays, but her mother did not allow her to perform. She had developed a taste for performing arts since she had seen the play A Moreninha, starred by Marília Pêra, in a school trip. Lucélia was completely fascinated by the show and decided that she would be an actress for the rest of her days
Lucélia made her stage debut at the age of 14, in the children's play Dom Chicote Mula Manca e seu fiel companheiro Zé Chupança, replacing actress Débora Duarte, which had moved to Rio de Janeiro in order to star in the Rede Globo telenovela Bicho do Mato.She was then invited by Eugênio Kusnet to participate in his intensive two-year performing arts course.After the course, Lucélia acted in a production of Godspell, which was presented in a circus tent in the Rio de Janeiro neighborhood of Botafogo.She finished high school in Rio, where she took the vestibular test for Medicine by an imposition of her father. She failed to enter in the University, since she was already deeply involved with her acting career.
Lucélia worked as a receptionist in a weight-loss clinic.before starring in productions of the plays The Rocky Horror Show and Transe no 18, Due to her early stage success, Lucélia was invited to star in the film Paranóia in 1976, at the age of 19. After three other small roles in unsuccessful films, that same year she landed the leading role in Escrava Isaura, which tells the story of the struggle of a white-skinned black slave to find happiness during the Brazilian Empire. The telenovela, based on the novel of the same name by 19th century abolitionist writer Bernardo Guimarães, is the most dubbed program in the history of world television, according to a research conducted by Good Morning America. Prior to being invited for the leading role by writer Gilberto Braga and director Herval Rossano, Lucélia had been turned down by Globo several times. She even landed a role in Estúpido Cupido, but that was wrapped up due to financial reasons.
Escrava Isaura achieved worldwide success. It became the most popular program in the history of Polish television at the time of its original broadcast, reaching more than 81 percent of share. It was the first show starred by a non-Chinese leading actress broadcast in the People's Republic of China, in addition to being the first telenovela shown in the former Soviet Union, where it had a broad appeal. The word "fazenda" (Portuguese: farm) jokingly became a synonym for the small land properties given by the government through its perestroika economic program. In the show, "fazenda" is used as a synonym for plantation.
In 1980, in an attempt to break with the image of "Brazil's sweetheart", acquired with her role in the telenovela, she posed nude for the Brazilian version of Playboy. The April issue of the magazine sold extremely well. It was, however, in the movies that her attempt would succeed. Controversial playwright Nelson Rodrigues invited Lucélia to star in the film adaptation of his play Bonitinha mas Ordinária. Knowing that was the perfect chance to break the good girl stigma, she accepted. She would later act in two other adaptations of Rodrigues' plays: Engraçadinha and Álbum de família.
In 1981, Lucélia posed naked for Playboy again, in order to promote the film Luz del Fuego, which tells the story of the eponymous ballet dancer which shocked the Brazilian society of the early 1950s by founding the a naturist political party and creating the first clothes-free area in Brazil at an island in Baía de Guanabara. The film is one of the favorites of Fidel Castro, who owns a VHS copy of it.
After the success of Escrava Isaura, Lucélia continued making popular Rede Globo telenovelas, such as Locomotivas (1977), Dancin' Days (1978), Água Viva (1980), Ciranda de Pedra (1981), Guerra dos Sexos (1986), Vereda Tropical (1984), and Sinhá Moça (1986). She also starred the network's series Ciranda Cirandinha (1978) and miniseries Meu Destino é Pecar (1984), also based in Rodrigues' work. In 1987 she left Globo to star as the titular character in Rede Manchete's Carmem.

Also in 2001, after the Independence of East Timor, Lucélia directed the documentary Timor Lorosae - O Massacre Que o Mundo Não Viu, which investigates the killings of political activists by Indonesian forces. It was banned from the Jakarta International Film Festival.
In August 2007, Lucélia started playing Suzana Mayer in Donas de Casa Desesperadas, the Brazilian version of the Desperate Housewives, broadcast by RedeTV!. Her most recent role is as Luiz Inácio Lula da Silva's primary teacher in Lula, o filho do Brasil.

Lucélia has won numerous awards inside and outside of Brazil. In Brazil, she won the Brasília Film Festival Candango trophy for Best Actress for her performances in the films Engraçadinha (1981) and Vagas Para Moças de Fino Trato (1993). In 1982 she won the Kikito trophy for Best Actress for her performance in Luz del Fuego at the Gramado Film Festival. In 2002, her documentary Timor Lorosae received the Audience Award at the Recife Film Festival.
In addition to becoming the first actress to receive the Golden Eagle Award for Best Foreign Actress in China, in 1985, Lucélia was honored with the Jewel of China medal in 2004 for her efforts in bringing together the Chinese and Brazilian cultures. She was in Fernando Henrique Cardoso's presidential entourage to China, where she was warmly greeted by Prime Minister Deng Xiaoping.

Monday, October 31, 2011

Succes 2011: Clint Eastwood, american film actor, director, producer, composer and politician. Won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving two nominations for Best Actor

Clinton "Clint" Eastwood, Jr. (born May 31, 1930) is an American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone's Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact, and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity.
Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995), and Gran Torino (2008), have all received commercial success and critical acclaim. Eastwood's only comedies have been Every Which Way but Loose (1978), its sequel Any Which Way You Can (1980), and Bronco Billy (1980); despite being widely panned by critics, the "Any Which Way" films are the two highest-grossing films of his career after adjusting for inflation.
Eastwood has directed most of his own star vehicles, but he has also directed films in which he did not appear such as Mystic River (2003) and Letters from Iwo Jima (2006), for which he received Academy Award nominations and Changeling (2008), which received Golden Globe Award nominations. He has received considerable critical praise in France in particular, including for several of his films which were panned in the United States, and was awarded two of France's highest honors: in 1994 he received the Ordre des Arts et des Lettres medal and in 2007 was awarded the Légion d'honneur medal. In 2000 he was awarded the Italian Venice Film Festival Golden Lion for lifetime achievement.
Since 1967, Eastwood has run his own production company, Malpaso, which has produced the vast majority of his films. He also served as the nonpartisan mayor of Carmel-by-the-Sea, California, from 1986 to 1988. Eastwood has seven children by five different women, and has married twice.

In late 1963 Eastwood's co-star on Rawhide, Eric Fleming, rejected an offer to star in an Italian-made western called A Fistful of Dollars; to be directed in a remote region of Spain by Sergio Leone who was relatively unknown at the time. Other actors, including Charles Bronson, Steve Reeves, Richard Harrison, Frank Wolfe, Henry Fonda, James Coburn, and Ty Hardin, were also considered for the role. Knowing that he could play a cowboy convincingly Harrison suggested Eastwood, who in turn saw the film as an opportunity to escape from Rawhide. He signed a contract for $15,000 (US$106,211 in 2011 dollars) in wages for eleven weeks' work with a bonus of a Mercedes automobile upon completion and arrived in Rome in May 1964 Eastwood later spoke about the transition from a television western to A Fistful of Dollars: "In Rawhide I did get awfully tired of playing the conventional white hat. The hero who kisses old ladies and dogs and was kind to everybody. I decided it was time to be an anti-hero."Eastwood was instrumental in creating the Man with No Name character's distinctive visual style and although a non-smoker, Leone insisted he smoke cigars as an essential ingredient of the "mask" he was attempting to create with the loner character.
Some interior shots for A Fistful of Dollars were done at the Cinecittà studio on the outskirts of Rome, before production moved to a small village in Andalusia, Spain. The film became a benchmark in the development of spaghetti westerns, with Leone depicting a more lawless and desolate world than in traditional westerns; meanwhile challenging stereotypical American notions of a western hero by replacing him with a morally ambiguous antihero. The film's success meant Eastwood became a major star in Italy and he was re-hired by Leone to star in For a Few Dollars More (1965), the second film of the trilogy. Through the efforts of screenwriter Luciano Vincenzoni, the rights to the film and the final film of the trilogy (The Good, the Bad and the Ugly) were sold to United Artists for roughly $900,000 (US$6.26 million in 2011 dollars.

Eastwood's career reached a turning point in 1971. Before Irving Leonard died he and Eastwood had discussed the idea of Malpaso producing Play Misty for Me, a film that was to give Eastwood the artistic control he desired and his debut as a director.The script was about a jazz disc jockey named Dave (Eastwood) who has a casual affair with Evelyn (Jessica Walter), a listener who had been calling the radio station repeatedly at night asking him to play her favorite song—Erroll Garner's "Misty". When Dave ends their relationship the fan becomes violent and murderous. Filming commenced in Monterey in September 1970 and included footage of that year's Monterey Jazz Festival. The film was highly acclaimed with critics such as Jay Cocks in Time, Andrew Sarris in the Village Voice, and Archer Winsten in the New York Post all praising the film, as well as Eastwood's directorial skills and performance. Walter was nominated for a Golden Globe Best Actress Award (Drama) for her performance in the film.
The script for Dirty Harry (1971) was written by Harry Julian Fink and Rita M. Fink. It is a story about a hard-edged New York City (later changed to San Francisco) police inspector named Harry Callahan who is determined to stop a psychotic killer by any means. Dirty Harry is arguably Eastwood's most memorable character and has been credited with inventing the "loose-cannon cop genre", which is still imitated to this day. Author Eric Lichtenfeld argues that Eastwood's role as Dirty Harry established the "first true archetype" of the action film genre. His lines (quoted at left) have been cited as among the most memorable in cinematic history and are regarded by firearms historians, such as Garry James and Richard Venola, as the force which catapulted the ownership of .44 Magnum pistols to unprecedented heights in the United States; specifically the Smith & Wesson Model 29 carried by Harry Callahan.Dirty Harry proved a phenomenal success after its release in December 1971, earning some $22 million (US$119 million in 2011 dollars) in the United States and Canada alone. It was Siegel's highest-grossing film and the start of a series of films featuring the character of Harry Callahan. Although a number of critics praised his performance as Dirty Harry, such as Jay Cocks of Time magazine who described him as "giving his best performance so far, tense, tough, full of implicit identification with his character", the film was widely criticized and accused of fascism.
Following Sean Connery's announcement that he would not play James Bond again Eastwood was offered the role but turned it down because he believed the character should be played by an English actor He next starred in the loner Western Joe Kidd (1972), based on a character inspired by Reies Lopez Tijerina who stormed a courthouse in Tierra Amarilla, New Mexico, in June 1967. Filming began in Old Tucson in November 1971 under director John Sturges. During the filming, Eastwood suffered symptoms of a bronchial infection and several panic attacks.[114] Joe Kidd received a mixed reception, with Roger Greenspun of The New York Times writing that the film was unremarkable, with foolish symbolism and sloppy editing, although he praised Eastwood's performance.
In 1973 Eastwood directed his first western, High Plains Drifter, in which he starred alongside Verna Bloom, Marianna Hill, Billy Curtis, Rawhide's Paul Brinegar and Geoffrey Lewis. The film had a moral and supernatural theme, later emulated in Pale Rider. The plot follows a mysterious stranger (Eastwood) who arrives in a brooding Western town where the people hire him to defend the town against three felons who are soon to be released. There remains confusion during the film as to whether the stranger is the brother of the deputy, whom the felons lynched and murdered, or his ghost. Holes in the plot were filled with black humor and allegory, influenced by Leone. The revisionist film received a mixed reception from critics, but was a major box office success. A number of critics thought Eastwood's directing was "as derivative as it was expressive", with Arthur Knight of the Saturday Review remarking that Eastwood had "absorbed the approaches of Siegel and Leone and fused them with his own paranoid vision of society". John Wayne, who had declined a role in the film, sent a letter of disapproval to Eastwood some weeks after the film's release saying that "the townspeople did not represent the true spirit of the American pioneer, the spirit that made America great".
Eastwood was then offered the role of Benjamin L. Willard in Francis Coppola's Apocalypse Now, but declined as he did not want to spend weeks on location in the Philippines. He also refused the part of a platoon leader in Ted Post's Vietnam War film Go Tell the Spartans and instead decided to make a third Dirty Harry film The Enforcer. The film had Harry partnered with a new female officer (Tyne Daly) to face a San Francisco Bay area group resembling the Symbionese Liberation Army. The film, culminating in a shootout on Alcatraz island, was considerably shorter than the previous Dirty Harry films at 95 minutes,but was a major commercial success grossing $100 million (US$386 million in 2011 dollars) worldwide to become Eastwood's highest-grossing film to date.
In 1977 he directed and starred in The Gauntlet opposite Locke, Pat Hingle, William Prince, Bill McKinney, and Mara Corday. He portrays a down-and-out cop who falls in love with a prostitute that he is assigned to escort from Las Vegas to Phoenix, to testify against the mob. Although a moderate hit with the viewing public critics had mixed feelings about the film, with many believing it was overly violent. Eastwood's longtime nemesis Pauline Kael called it "a tale varnished with foul language and garnished with violence". Roger Ebert, on the other hand, gave it three stars and called it "...classic Clint Eastwood: fast, furious, and funny." In 1978 Eastwood starred in Every Which Way but Loose alongside Locke, Geoffrey Lewis, Ruth Gordon and John Quade. In an uncharacteristic offbeat comedy role, Eastwood played Philo Beddoe, a trucker and brawler who roams the American West searching for a lost love accompanied by his brother and an orangutan called Clyde. The film proved a surprising success upon its release and became Eastwood's most commercially successful film at the time. Panned by the critics it ranked high amongst the box office successes of his career and was the second-highest grossing film of 1978.
Eastwood starred in the atmospheric thriller Escape from Alcatraz in 1979, the last of his films to be directed by Don Siegel. It was based on the true story of Frank Lee Morris who, along with John and Clarence Anglin, escaped from the notorious Alcatraz prison in 1962. The film was a major success and marked the beginning of a period of praise for Eastwood from the critics; Stanley Kauffmann of The New Republic lauding it as "crystalline cinema" and Frank Rich of Time describing it as "cool, cinematic grace"
Eastwood directed and scored the crime drama Mystic River (2003), a film about murder, vigilantism, and sexual abuse, set in Boston. Starring Sean Penn, Kevin Bacon, and Tim Robbins, Mystic River was lauded by critics and viewers alike. The film won two Academy Awards, Best Actor for Penn and Best Supporting Actor for Robbins, with Eastwood garnering nominations for Best Director and Best Picture. Eastwood was named Best Director of the Year by the London Film Critics Circle and the National Society of Film Critics. The film grossed $90 million (US$107 million in 2011 dollars) domestically on a budget of $30 million (US$35.8 million in 2011 dollars).
The following year Eastwood found further critical and commercial success when he directed, produced, scored, and starred in the boxing drama Million Dollar Baby, playing a cantankerous trainer who forms a bond with female boxer (Hilary Swank) who he is persuaded to train by his lifelong friend (Morgan Freeman). The film won four Academy Awards: Best Picture, Best Director, Best Actress (Swank), and Best Supporting Actor (Freeman). At age 74 Eastwood became the oldest of eighteen directors to have directed two or more Best Picture winners.[216][217] He also received a nomination for Best Actor and a Grammy nomination for his score. A. O. Scott of The New York Times lauded the film as a "masterpiece" and the best film of the year.
In 2006 Eastwood directed two films about World War II's Battle of Iwo Jima. The first, Flags of Our Fathers, focused on the men who raised the American flag on top of Mount Suribachi and was followed by Letters from Iwo Jima, which dealt with the tactics of the Japanese soldiers on the island and the letters they wrote home to family members. Letters from Iwo Jima was the first American film to depict a war issue completely from the view of an American enemy. Both films received praise from critics and garnered several nominations at the 79th Academy Awards, including Best Director, Best Picture, and Best Original Screenplay for Letters from Iwo Jima. At the 64th Golden Globe Awards Eastwood received nominations for Best Director in both films. Letters from Iwo Jima won the award for Best Foreign Language Film.
Eastwood next directed Changeling (2008), based on a true story set in the late 1920s. Angelina Jolie stars as a woman who is reunited with her missing son only to realize that he is an impostor. After its release at several film festivals the film grossed over $110 million (US$112 million in 2011 dollars), the majority of which came from foreign markets.The film was highly acclaimed, with Damon Wise of Empire describing Changeling as "flawless". Todd McCarthy of Variety described it as "emotionally powerful and stylistically sure-handed" and stated that Changeling was a more complex and wide-ranging work than Eastwood's Mystic River, saying the characters and social commentary were brought into the story with an "almost breathtaking deliberation". Film critic Prairie Miller said that, in its portrayal of female courage, the film was "about as feminist as Hollywood can get" whilst David Denby argued that, like Eastwood's Million Dollar Baby, the film was "less an expression of feminist awareness than a case of awed respect for a woman who was strong and enduring." Eastwood received nominations for Best Original Score at the 66th Golden Globe Awards, Best Direction at the 62nd British Academy Film Awards and director of the year from the London Film Critics' Circle.
After four years away from acting Eastwood ended his "self-imposed acting hiatus" with Gran Torino, which he also directed, produced, and partly scored with his son Kyle and Jamie Cullum. Biographer Marc Eliot called Eastwood's role "an amalgam of the Man with No Name, Dirty Harry, and William Munny, here aged and cynical but willing and able to fight on whenever the need arose." Eastwood has said that the role will most likely be the last time he acts in a film It grossed close to $30 million (US$30.6 million in 2011 dollars) during its wide release opening weekend in January 2009, the highest of his career as an actor or director.Gran Torino eventually grossed over $268 million (US$274 million in 2011 dollars) in theaters worldwide becoming the highest-grossing film of Eastwood's career so far, without adjustment for inflation.
His 29th directorial outing came with Invictus, a film based on the story of the South African team at the 1995 Rugby World Cup, with Morgan Freeman as Nelson Mandela and Matt Damon as rugby team captain François Pienaar. Freeman had bought the film rights to John Carlin's book on which the film is based.The film met with generally positive reviews; Roger Ebert gave it three and a half stars and described it as a "very good film... with moments evoking great emotion", while Variety's Todd McCarthy wrote, "Inspirational on the face of it, Clint Eastwood's film has a predictable trajectory, but every scene brims with surprising details that accumulate into a rich fabric of history, cultural impressions and emotion." Eastwood was nominated for Best Director at the 67th Golden Globe Awards.